Yermah the Dorado: The story of a lost raceWait, Frona Eunice
Science
Yermah the Dorado: The story of a lost race
Wait, Frona Eunice
Fantasy fiction; Geographical myths -- Fiction
She begged to be set down and stood with her hands full of the blossoms,
which she repeatedly carried to her lips, tossing them to the children
about her. It was an indiscriminate mass of little ones, augmented by a
bevy of older girls, laden with myrrh, wheat, oats and sprigs of
heliotrope. Before Kerœcia realized it, her vacant chair was filled with
flowering sage and Sweet William in bloom.
This language of esteem and gallantry was a tribute from some warrior
priests sent to keep order and to assist in escort duty. Kerœcia and her
companions wound the flower-wreaths in their hair, placed clusters of
the same at their throats, and in their girdles, and carried as many
more as their hands could hold.
“Haille! Haille!” spearsmen and school children shouted in chorus, only
desisting when the garden gates were reached, and the party halted for a
final exchange of courtesies. Kerœcia turned to Orondo.
“I love these kind, good-hearted people,” she said.
“Small wonder that they should love thee in return. The Monbas are not
the only men willing to die for thee.” The flush on his face, his
earnestness of manner and speech, should have warned Kerœcia; but at
that moment, she was intently examining the sculpture on the stone
aqueduct, here emptying into an artificial lake. Realizing the
situation, Orondo was quick to turn it to advantage.
“I have a feeling of kinship with this body of water, since it is mine
by right of plan and construction. The gardens are my special charge. We
of Aztlan have choice of occupation, and I have sole command over this
spot.”
“Thou art generously endowed with the sense of the beautiful,” she
returned, in appreciation. “I am curious to know why this curbing is not
in straight, but in wavy lines.”
“Because it is a meander imitating a river of spiritual force. The
carving, also, conveys the same idea.”
* * * * *
The party had crossed the avenue leading from the market walls to the
Temple of Neptune. The aqueduct surrounded the outside enclosure, and
was built of solid sandstone and masonry, supported by arches of the
same. The water in the canal came from Lake La Honda and skirted Blue
Mountain. Where it emptied into Ohaba Lake, in the gardens, it made a
pretty cascade over a profusion of rocks and water-plants.
To the right of the market was a sun-dial, which was a colossal bronze
figure of a full-armored warrior thrusting furiously at his own shadow.
This statue, of perfect model and workmanship, was placed on a pivot
which revolved once in every twenty-four hours. At the feet was a glass
dial, whose grains of gold slipped out at stated intervals, one at a
time, sticking fast on the quicksilver bed prepared for them. The
warrior could only scowl at, and threaten the shining hours.
Public-domain text, read in full here on John Shaqi.
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