At one end of the town of Kamenivke, in the Poor People's Street, which runs along by the bath-house, it is darkest of all, and muddiest. The houses there are small, low, and overhanging, tumbled together in such a way that there is no seeing where the mud begins and the dwelling ends. No gleam of light, even in the windows. Either the inhabitants of the street are all asleep, resting their tired bones and aching limbs, or else they all lie suffocated in the sea of mud, simply because the mud is higher than the windows. Whatever the reason, the street is quiet as a God's-acre, and the darkness may be felt with the hands. Suddenly the dead stillness of the street is broken by the heavy tread of some ponderous creature, walking and plunging through the Kamenivke mud, and there appears the tall, broad figure of a man. He staggers like one tipsy or sick, but he keeps on in a straight line, at an even pace, like one born and bred and doomed to die in the familiar mud, till he drags his way to a low, crouching house at the very end of the street, almost under the hillside. It grows lighter--a bright flame shines through the little window-panes. He has not reached the door before it opens, and a shaky, tearful voice, full of melancholy, pain, and woe, breaks the hush a second time this night: "Bertzi, is it you? Are you all right? So late? Has there been another accident? And the cart and the horse, wu senen?" "All right, all right! A happy holiday!" His voice is rough, hoarse, and muffled. She lets him into the passage, and opens the inner door. But scarcely is he conscious of the light, warmth, and cleanliness of the room, when he gives a strange, wild cry, takes one leap, like a hare, onto the "eating-couch" spread for him on the red-painted, wooden sofa, and--he lies already in a deep sleep. II