At five minutes to ten Simon Smith bade Theresa put on her hat. She said
good-night, and again she knew that sense of power as Mr. Smith got out
of the chair that dwarfed him, and Neville stopped in his light playing
of the piano and gave her his good smile, and Morton looked deeply into
her eyes as he opened the door. These were courtesies that men always
paid to women, but she knew she had more from them, that they gave her
of their minds because she demanded the gift, and she laughed as she ran
up the stairs and fastened her hat to her shining hair, and settled her
coat to the lines of her slim shape.
She liked walking downstairs because there was something in the pointing
of her toes that always pleased her, and to-night, because she was
rejoicing in all the little skilfulnesses of her body, she went down
slowly, pulling on her gloves, and, as she looked into the hall, she saw
Morton looking up.
"May I be allowed to see you home?" he asked, as she touched the bottom
stair.
"Please don't. I'm going in the carriage."
"I know." His words were almost a reproof. "You won't forbid me?"
She flashed her brightest, frankest look at him. "Why no!"
He put the rug over her knees and took his seat beside her. She did not
speak. She leaned back against the cushions, taking pleasure in the
shadows of the bare trees, splashed across the pavements.
He told her it was long since he had been to Radstowe, and the tone
implied regret. She had made no answer before the horses stopped.
"This is my home," she said.
"So soon," he murmured.
"It was absurd to have the carriage, wasn't it? Look, down there are the
dock lights." They stood together on the pavement. "And there's a boat
going out. You can see the light at her masthead. Oh--do you like it?"
"It is very beautiful," he said, but the next moment his eyes were on
her face.
The house was very quiet when Theresa entered it. The hour was early,
but, in the hall, the lowered gas told her that Uncle George and Bessie
had already gone to bed. She was glad to be alone.
She leant against the door, listening to the sound of the departing
carriage; and when she could hear it no longer, she stretched up an arm
and put out the light. The darkness fell on her warmly, clothing her.
For a little while its thickness hid her thoughts and muffled the quick
beating of her heart; but as the umbrella stand took shape, and the
dining-room door became more than a pale blot, she had to face her mood.
Something lighter than laughter seemed to be bubbling in her throat. She
was sharply conscious of her body and its strength. She stood straight,
tightening her muscles, throwing back her head. She found herself
smiling, and at that, with a gesture half of denial and half of shame,
she ran up the stairs; but her room was like a friend, and in its
presence she was doubly aware of her own strangeness. Her mood was still
to be faced, and she attempted no evasion.
Public-domain text, read in full here on John Shaqi.
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