"I'm watching for the new heather, but it seems long in coming,
and will be longer yet. There's the old stuff still on the bushes,
but the colour's gone and it's the purple flower I want. Will you
not be here to see it flush the hills? But it's months till then,
and just now there's little here but snow, and the streams so
fierce and heavy that it takes your breath away. I think it's the
early morning that I like best, when there's hardly any light but
what comes from the snow; and this morning, just at that hour, I
was wakened by the stairs creaking, and there was my father going
out, half-dressed, and I heard my mother cry out to me to stop
him, for he'd taken the razor. We'd had peace for these last
weeks, and I'd begun to hope he'd worn himself into quiet, and
there he was again, rushing into the snow and the grey morning. It
was like chasing a ghost across the fields, for there was no sound
on the snow, and the trees looked like spectres that had never
known the run of sap. And my mother stood by the gate holding a
lantern that gave a little flame the morning mocked at. It was
like a lamp showing the door of the underworld I'd rushed into. I
came up with him at last, and he laughed at me. He had no razor,
he said, and it's true he hadn't, but he'd chosen to frighten my
mother with that lie. What are we to do with the man? He threatens
to take his life, and if it wasn't for my mother, I think I'd let
him do it; but I've got to stop him, and then he laughs at us. I
was near knocking him down, but I've always kept my hands off him
so far, and I hope I always may. But he's mad, though my mother
will not have it. And he is still laughing at his joke. Is it
cunning to put us off the scent, I'm wondering?
"When I look back into my life, I see so many pictures of
darkness; the night and the sound of his shambling feet coming
home, the early morning and the creaking stairs, and my mother
calling softly and telling me to stay in bed, for that was when I
was young, and he had a spite against me; and the shadows in the
kitchen when I did my work, and the moving shadow on the ceiling
as my father prowled up and down. The darkness followed me when I
went to school in the sun, and when I came back I knew it waited
for me. If I went in mist or rain, there was nothing strange in
that, for it was just the shadows going with me. Yet I'm
exaggerating, for the hills always stood clear of all else, and
were themselves and friends to me. Even you, who love them, cannot
know what they have been. There's no good name I cannot give
them--except one.
Public-domain text, read in full here on John Shaqi.
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