There is one spot in Harrogate that has a suggestion of the early days
of the town. It is down in the corner where the valley gardens almost
join the extremity of the Stray. There we find the Royal Pump Room that
made its appearance in early Victorian times, and its circular counter
is still crowded every morning by a throng of water-drinkers. We wander
through the hilly streets and gaze at the pretentious hotels, the baths,
the huge Kursaal, the hydropathic establishments, the smart shops, and
the many churches, and then, having seen enough of the buildings, we
find a seat supported by green serpents, from which to watch the
passers-by. A white-haired and withered man, having the stamp of a
military life in his still erect bearing, paces slowly by; then come two
elaborately dressed men of perhaps twenty-five. They wear brown suits
and patent boots, and their bowler hats are pressed down on the backs of
their heads. Then nursemaids with perambulators pass, followed by a lady
in expensive garments, who talks volubly to her two pretty daughters.
When we have tired of the pavements and the people, we bid farewell to
them without much regret, being in a mood for simplicity and solitude,
and go away towards Wharfedale with the pleasant tune that a band was
playing still to remind us for a time of the scenes we have left
behind.
WHARFEDALE
CHAPTER VII
WHARFEDALE
Otley is the first place we come to in the long and beautiful valley of
the Wharfe. It is a busy little town where printing machinery is
manufactured and worsted mills appear to thrive. Immediately to the
south rises the steep ridge known as the Chevin. It answers the same
purpose as Leyburn Shawl in giving a great view over the dale; the
elevation of over 900 feet, being much greater than the Shawl, of course
commands a far more extensive panorama, and thus, in clear weather, York
Minster appears on the eastern horizon and the Ingleton Fells on the
west.
Farnley Hall, on the north side of the Wharfe, is an Elizabethan house
dating from 1581, and it is still further of interest on account of
Turner’s frequent visits, covering a great number of years, and for the
very fine collection of his paintings preserved there. The oak-panelling
and coeval furniture are particularly good, and among the historical
relics there is a remarkable memento of Marston Moor in the sword that
Cromwell carried during the battle.
Public-domain text, read in full here on John Shaqi.
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