Black, Jack, 1871-1932; Criminals -- Canada -- Biography; Criminals -- United States -- Biography
Then you will say to him in a firm, kindly tone: “Listen to me and don’t
get excited.” You will put the cold muzzle of the gun against his neck
and now your voice will be cold, hard, threatening. “Do you feel that?
That’s a gun. If you move I’ll let it go. You just keep cool and don’t
get yourself killed over a few lousy dollars. I want that bankroll of
yours; I know it’s here. Tell me where it is and make it easy on
yourself—and be quick about it.”
Yes, that’s the way you will handle him. You start on around to the side
of his bed. You remember you have been in the room almost two hours and
a half. It will soon be daylight. You look at the window. Yes, there
it is; a faint line of gray down the edge of the curtain, the dawn. You
must hurry. You are by his side now. You take a better grip on the gun,
reach out to touch him, and—pandemonium breaks out in the adjoining
room.
It’s only an alarm clock going off, but it petrifies you standing up and
tears every nerve in your body up by the roots. You don’t bolt out of
the room in a panic; you remain perfectly still. Your mind jumps into
the other room. Your sleeping gambler kicks out his legs, turns over
with a jerky movement, mutters a string of curses, pulls the covers over
his head, and settles himself for more sleep.
You don’t pay much attention to him now. The next room concerns you
more. The noise of the alarm clock changes to a dull, empty, hollow
protest. You know somebody has his hand on the bell, smothering it till
he can turn it off. Now it stops. You hear somebody lumbering about,
every step shakes the floor. He must be a big, heavy man who puts his
heels down first when he walks. You hear him push a button and a
vertical crack of light appears at the head of the bed you are standing
by. You know what that is. This is an old house, and that’s a folding
door.
The man now unlocks his door and steps out into the hall. You step
softly to your door and listen. He goes heavily down the hall,
muttering to himself. You hear him push the light button a couple of
times but he gets no light—you unscrewed the globe; he thinks it’s burnt
out. You hear him open and shut a door; he is in the bathroom. You turn
back to your man. Then a window is thrown up with a bang in the room on
your other side. Daylight is racing on you. You can see clearly now. You
hear other noises. The place is becoming a hornet’s nest. You must give
it up and get out. You’re not broke. You don’t have to risk everything
here. You step out of the room, close the door softly, go downstairs,
and out the front way.
Yes, reader, you went down the street and into a restaurant where you
ate heartily. Then to bed for a good, healthy, sound sleep.
Not me! I went back to the hop joint.
Public-domain text, read in full here on John Shaqi.
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