Dramatists -- Juvenile fiction; Radio acting -- Juvenile fiction; Radio broadcasting -- Juvenile fiction
“To-night Munson brings you the opening chapter of Curt Lake’s radio
drama, Sue Davis Against the World, the story of a widowed mother’s
struggle—”
An incredulous voice cried out in Joe: “You’re on the air!”
It became unbelievable. Actually on the air! And then everything became
unreal. Vic Wylie, glaring through the glass panels of the control-room,
became a distorted Vic Wylie; the announcer’s voice hung lingeringly in
space. Wylie’s commanding finger took on a dreamy haziness. The finger
wavered away from the announcer and indicated Stella. Joe’s eyes were
wide open and staring as though he were in a trance. In a queer sort of
drugged fog he thought: “My cue’s coming.” The finger, as though moving
leisurely in a timeless arc, wavered toward him.
He began to read his part. There was no nervousness nor anxiety. There
was only that hypnotic sense of unreality:
Mother, don’t shake your head at me like that. You must listen—
He did not know that he had become an automaton. He did not know that he
was suffering a form of mike fright that afflicts the young radio
performer with an emotional paralysis. But Wylie had pounded at him,
rehearsal after rehearsal, until a pattern had been carved deep in his
mind. Subconsciously, his mind reproduced that pattern as though it were
a platter. He read as Wylie had insisted that he read.
By and by all the dream-world voices were gone, and there was silence.
People began to leave the control-room. Joe drew a breath and reality
came rushing back upon him. Why, it was over. He’d been on the air—and
it was over. All he could remember was fog and haze.
A wise, knowing Vic Wylie, who could be as tender as a woman, was in the
studio. “All right now, kid?”
“What—what happened to me?”
“Something that happens to most of them. You came through, and it’ll
never happen again.”
Joe wanted to ask a question and didn’t dare.
Wylie didn’t have to be asked. “You were tops, kid.” He smiled at the
cast, and his haggard face was lighted. “You were all tops. Get
something to eat and report at six.”
“How about all eating together?” Stella asked.
“In a minute,” Joe told her. It was still all unbelievable. He squeezed
into a telephone-booth. How could you be tops when you didn’t know what
it had all been about? He dialed a number.
“How was it, Mother?”
“Joe!” That was all Kate Carlin could say for a moment.
“Did you like it?”
“It was splendid. Dad wants to speak to you.”
Tom Carlin said gruffly: “Until to-night, Joe, I thought you were making
a mistake.”
Joe knew the end of doubt. Then it had been good! Glowing, he pushed
back the door. Little Ambrose Carver waited for him ten feet from the
booth.
“Congratulations, Joe.”
“Thanks, Amby.” He hadn’t expected this. The glow deepened.
“Does Amby know how to pick them? I’m asking you if I’m a picker.”
“You certainly are.” If Amby wanted to be friends, why not? Joe was in a
mood to give friendship to all the world.
Public-domain text, read in full here on John Shaqi.
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