Dramatists -- Juvenile fiction; Radio acting -- Juvenile fiction; Radio broadcasting -- Juvenile fiction
The _Sue Davis_ show clicked. The Everts-Hall Agency compiled figures:
the show had caught the public. Munson’s accountants compiled more
figures: the show was selling merchandise. A show that clicked both ways
might be good for forty weeks.
Joe Carlin became seasoned, seasoned and smooth. At least, he told
himself confidently he was becoming smooth. But gradually the restless
feet of show people had dulled the bright gold of Royal Street. What had
been gold to him, he saw, was merely cold stone pavement to many others.
Actors, always glib about the part they expected next week, began to
buttonhole him in the corridors of the broadcasting company buildings
and lead him into quiet corners. He lent them money. For a week he
bought Pop Bartell’s lunch.
“Any day now,” Pop would say, gallant and optimistic, “Tony’ll be
calling us into audition for the He people.”
Joe always agreed. He didn’t believe it. _Bush-League Larry_ had been on
the fire too long.
October crept toward its end and Indian summer lingered in the city. The
afternoon broadcast, the evening rehearsal, the morning dress, fan mail
and occasional calls at FFOM and FWWO filled Joe’s day completely. Fan
mail was a late development. At first he had answered the letters
himself, proud and thrilled. But his mail had grown, and now it was
handled from the Everts-Hall Agency on Munson stationery. He hadn’t
visited his father’s store in weeks. Show business engrossed him
completely. If he thought at all of books and how his father might sell
more books the thought was a shadow, gone as quickly as it had come.
Early in November the cast finished a Monday broadcast and was gathering
up hats and coats when Wylie walked into Studio B. Usually, the
appearance of the producer immediately after a show ended meant that
something had gone wrong. The cast waited for the storm.
There was no storm. Wylie said: “Tony tells me Munson’s signing the show
for another twenty-six weeks.”
The new contract would carry the show into June. Eight months of freedom
from the bread-and-butter hunt! Bert Farr and Stella jitterbugged up and
down the studio. Joe pranced to the piano shoved into a corner and
banged out a one-finger melody. People gathered in the gallery. But they
were used to people gaping in through the glass; they forgot they were
there.
A page opened the studio door. “Telephone, Mr. Wylie. Your office.”
Wylie left them. After that the celebration died down. Joe was slipping
into a top-coat when a voice, cracked and high-pitched, swung him
around.
“Kid!” Wylie was wild-eyed. “Munson’s closes in ten minutes. Get a
message to Lucille. N.B.C. wants her. A contract. She’s hit the
jackpot.”
“Vic!” Stella cried.
Public-domain text, read in full here on John Shaqi.
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