Dramatists -- Juvenile fiction; Radio acting -- Juvenile fiction; Radio broadcasting -- Juvenile fiction
He raked slowly. If you took your time, raking could kill the crawling
hours of fate. Thinking built up facts, and facts fitted together like
bricks in a wall. Ambrose Carver still had Mrs. Munson’s ear. Sonny had
not been a glittering success on the coast, else he would not have
returned for a part in a show paying twenty-five dollars a week. Playing
small time on the coast, Sonny would not have accumulated money for a
return journey across a continent. Somebody had paid for his railroad
ticket. Amby? Joe couldn’t imagine the dapper little agent buying
anybody’s ticket. Then it must have been Mrs. Munson, still piqued
because of the failure of her nephew.
Joe put the rake away. Every leaf was garnered and burned, and raking
had become a fiction. When he came into the house, his mother was
upstairs. He dialed the radio, brought in FKIP, and left the station on.
By and by Vic Wylie’s four o’clock show went on and went off. A watch
company gave a spot announcement of the time, and a commentator gave
five minutes of news flashes from around the world. A quartet sang.
They’d be off in ten minutes. They were off.
A voice broke into the silence of the room.
“To-day Munson brings you a story from the pen of Curt Lake, _Sue Davis
Against the World_—” The Munson plug followed—a Monday, Tuesday, and
Wednesday sale of coats on the third floor. Then came that momentary
pause that always comes between the commercial plug and the show itself.
Joe’s mouth was dry. He had heard no sound on the stairs, yet he knew
his mother sat behind him.
“And now,” came an announcer’s crisp voice, “what has become of Dick
Davis? Six days ago, with slender family finances almost exhausted, he
left home to get to Fairfield as best he could, taking with him his only
possession of possible value, an album containing a modest collection of
stamps. For six days Sue Davis has anxiously awaited her son’s return.
Is he all right? Has he reached Fairchild? Have the stamps which he has
been patiently soaking from discarded envelops for several years any
real value? Perhaps we are to learn, for the scene is the small office
of Landis, the Stamp Man. The door opens and a boy enters. Listen.”
Voices came out of the speaker, and the first voice was boyish, and
troubled and hesitant:
Are you Mr. Landis?
Hello, son. Yes; I’m Mr. Landis. Close the door, please. You
look as though you’ve been traveling.
I have. I’m Dick Davis. I come from Maple Grove.
That’s a good piece back in the mountains, isn’t it?
Yes, sir. I—I thought—Do you buy stamps?
Something that was like ice prickled and crawled on Joe’s scalp. A
miracle was happening. Vic Wylie had prepared him for the miracle, and
yet he had not expected so stupendous a miracle. One of the voices
coming out the speaker was his. Not his exactly—but his.
Public-domain text, read in full here on John Shaqi.
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