Young Earnest: The Romance of a Bad Start in LifeCannan, Gilbert
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Young Earnest: The Romance of a Bad Start in Life
Cannan, Gilbert
English fiction -- 20th century
"I know," said Kilner. "A man does when he seeks to find love only in
women."
René winced. His friend laughed at him:
"Oh, you are not the only one. It begins very early. Women exploit
their motherhood as they have exploited their womanhood to get us. It
is not their fault. Men have kept their joy from them and preserved
their brutishness. There is an even more bitter disgust lying in wait
for those who seek to find love only outside women."
Ann came in on that. She stopped inside the door, and glowered at the
painter.
"Oh, so you've come back?"
"Yes," said Kilner, rising. "Like a bad penny."
"Don't get up. I ain't no lady. You been talking?"
"Yes," said René. "Shall I make some tea? Had a good evening?"
"No. Rotten." She had not moved from the door. Her eyes came back to
Kilner. "You can go on talking. I'm off to my bed."
And she slipped from the door into the bedroom. René met his friend's
eyes. They were grimly ironical.
VII
OLD LUNT
The glass is full, and now my glass is run:
And now I live, and now my life is done.
OLD Lunt was a dirty old man who wore a cracked bowler hat rammed down
on his head, a frock-coat green with age, trousers that hung in loops
and folds about his lean shanks, and boots held together with leather
laces and bits of string. He had one room at the corner of the mews,
and he lived God knows how. Ann always said that he would stand on the
doorstep of a butcher's shop and sniff like a dog, and stay there
until they flung him a scrap of meat. On a Saturday night he was to be
seen prowling about the shops, feeling the rabbits and fowls, and then
shuffling away as though his appetite had been satisfied through his
fingers. He never shaved, but clipped his beard close. The skin hung
so loose on his jaws that shaving would have been perilous. His eyes
were gray, watery, and red-rimmed, and he had ears like red rosettes.
He used to watch for René to come out, and then wait by his own door
to see if the car left the yard. If it did not, then he would come
shambling along and stand at the gate of the yard. And if René were
working on his car he would edge nearer and nearer until he could peer
into the engine. Often he would stand quite silent, and go away
without a word. Occasionally he would talk and mumble.
"I remember when there warn't no railways, and my brother Philip drove
his horses from Glossop to Sheffle. They used to say there wouldn't be
no engines. But there was engines. Then they said there wouldn't be no
engines on the road. But there is engines on the road. And things grow
worse and worse for poetry."
With variations, that was his customary address.
About once a month he would sidle up to René and beg for the loan of
one shilling, and ten days or a fortnight later he would return a
penny or twopence.
"Interest, interest. Times bad. I must ask you to extend the loan."
Public-domain text, read in full here on John Shaqi.
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