Young Earnest: The Romance of a Bad Start in LifeCannan, Gilbert
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Young Earnest: The Romance of a Bad Start in Life
Cannan, Gilbert
English fiction -- 20th century
These were no general speculations. As he detached himself from the
spectacle of London, and observed and brought humor and charity to
bear on his observations, it became more and more clear to him that in
this fantastic atmosphere he could not live. He was conscious of
energy within himself. Upward from Mitcham Mews led to the mediocrity
of the little houses, to those who lived in the dazzlement of the
shows, forgetting life, forgetting death. Downward? There was no
downward without sinking into the disgusting vices which repelled him.
Beyond the mediocrity was only the show where everything was
sterilized, thought castrated, art hermaphrodite. (Kilner knew too
much of that.) At the same time, he felt that his present mode of life
could not go on much longer. There would certainly be a move from
Mitcham Mews, but he wanted it also to be a decision, not a mere
change of houses.
Ann returned to her idea of trying a new country, and for a time he
played with the idea. It had its seductions. The long voyage: the
indolent life on board ship; the possibility as they slipped away from
existence in England of shedding those elements in themselves which
prevented the full sympathy desired by their affection; the settling
in a country where class differences were not so acute. But, he felt
rather than saw, that would mean isolation with Ann, and his feeling
was against it. When she tried to discuss it with him, to get him to
consider the respective merits of Canada or Australia, he was evasive
in his replies and soon forced her to drop it. She would show a little
disappointment, but would reassure herself by saying:
"There's no place like old England," or: "Sally Wade's in Canada, and
she does miss dear old London."
He was so absorbed in his thoughts and his growing certainty that he
did not notice how few of his evenings he spent with her. Because she
was cheerful, he imagined that she must be finding her own amusement
and satisfaction. He saw a great deal of Kilner, and when the painter
was otherwise engaged, liked to be out in the streets on duty. Without
knowing why, he had begun to desire to save money. Every shilling put
by added to his sense of independence and potential freedom. He had
commenced with a money-box, but finding Ann one day shaking coins out
of it, he opened an account with the Post Office Savings Bank. He said
nothing to her at the moment and was angry with himself for letting it
pass, but it was impossible to reopen the subject later. He told
himself that Mitcham Mews was no harbor of strict morals, that its
inhabitants did more or less what they wanted to do, and therefore
made it enjoyable for him to live among them. (That was the reason
Kilner had given him for living among the very poor. They had the same
liberty as the very rich, with none of their pretensions or false
responsibilities.) He had dismissed the matter from his mind when it
was brought home to him one night on his returning late from work.
Public-domain text, read in full here on John Shaqi.
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