Young Earnest: The Romance of a Bad Start in LifeCannan, Gilbert
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Young Earnest: The Romance of a Bad Start in Life
Cannan, Gilbert
English fiction -- 20th century
You're not sorry you made the ordinary
career impossible for yourself?"
"Sorry?" said René, puzzled. "It was never a thing to be sorry about
or glad about. It just happened and I felt better. And now I have met
you and everything is changed again. I didn't go to my home last
night."
"No?"
"I went to an old friend of mine who lives happily and contentedly. I
wanted to see happiness and contentment. Somehow you had made me sure
of myself, and I felt that everything was changed. But the change was
in myself. In nearly everybody I have been more conscious of the
things they lack than of the things they have. I had been bolstering
myself up with contempt--for myself as well as everything else. It was
that or being sorry for myself. Always a struggle. I can't see it
clearly yet: like righting without weapons and without a cause. I had
no desire to live irregularly and uncomfortably or to come in conflict
with accepted opinion as to conduct. But I don't see why opinion
should be antagonistic to a man's private affairs. I wasn't
antagonistic. I was only doing confusedly what I felt very clearly and
had always felt to be right. I feel certain now that I ought to have
done so long before. I'd like to explain that to all sorts of people,
except that honestly I can't take much interest in it. I had a vague
sickening feeling that the end of the world had come, but that was
only because I could not see an inch before me. The end of the world
did not come, neither for me nor for--her. It seems stupid to be
explaining all this to you. I know you will not think I am excusing
myself, because I am sure you accept me as I am----"
"Theoretically," said Cathleen, looking up at him with a quick smile.
"You see, I have lived on theory, not my own, either; Lotta's. And I
don't know whether my theory can hold out against your practice, any
more than my sentimental girlish fictions could. You upset them, you
know, and you are just as disconcerting as ever. Shall you go on with
your work?"
"I can't think of anything else I should like so well."
"And that girl?"
"That's what we have both been thinking about all the time."
"Yes."
Cathleen rose and walked over to the window and looked out. She stood
then for so long that René followed her and laid his hand on her
shoulder. The window gave on to a row of back gardens with a few
trees, black and bare. Opposite was a lighted window through which
could be seen four girls sewing--stitch, stitch, stitch.
"I have often watched them," said Cathleen, "and wondered what might
be in their lives. Desire? Religion? Love? What is it makes it
possible for them to work so mechanically and so happily."
"Fun," said René. "They want fun, spiced with the risk of having to
pay for it."
"Is she like that?"
"She was. But there is something more."
"There would be," said Cathleen. "She couldn't love you without being
moved out of herself and the habits of her class. That is why I am
sorry for her. Are you going back to her?"
Public-domain text, read in full here on John Shaqi.
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