Young Earnest: The Romance of a Bad Start in LifeCannan, Gilbert
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Young Earnest: The Romance of a Bad Start in Life
Cannan, Gilbert
English fiction -- 20th century
As René walked along the passage he felt uncannily certain that he
would find his mother sitting by the fireplace knitting. And it was
so. She raised her eyes and looked at him with timid anxiety, held out
her cheek to be kissed, went on knitting, and said:
"Now sit down and give an account of yourself."
He edited his experiences, and she listened without interest. Most of
his talk was of Kilner.
"Artists are very immoral men, aren't they?"
René shrugged.
"It depends," he said, "on what you mean by morality."
"There _are_ rules," said she, "and commandments."
"My friend has rules," he replied, "rather good ones. He dislikes
doing anything which interferes with his power to paint."
"To me that sounds very selfish."
"I don't think we can argue about that, mother."
"No. I suppose you made very little money."
"Three pounds a week."
"I suppose you could do with that, with only yourself to keep. Though
it seems a pity, considering the amount of time and money spent on
your education."
Was it his mother speaking? What had happened to her? Whence had come
the dry hardness in her voice? Why were her eyes so dead? They used to
steal quick little glances when she spoke. Now she only stared
listlessly. A home-coming? This for a home? In the house next door
there had been some stirring of life: the night when he had returned
home from Scotland: the strange days after his father's restoration.
The windows of the room were shut. René felt stifled. He made some
excuse and went away out of the house, and roamed through the familiar
streets. There were many houses empty: the gardens, some of which had
once been trim, were now unkempt. The whole district was dismal and
devitalized. Only the red trams clanging and clanking down the cobbled
streets made any stir and gaiety.
He found himself presently in Galt's Park. The little pink brick
houses had invaded it. Many of the big houses were pulled down: others
were being demolished, and only jagged walls and gaping windows were
left. On the site of the Brocks' house stood a little red-brick chapel
outside which were announcements in Welsh and English. That gave him a
shock. Some of the past life had been brushed away. He disliked the
idea of its room being usurped by a chapel, a place of Christian
worship. He did not know why he disliked this idea so much, but it was
connected vaguely with the image of his mother sitting in that room,
knitting and talking in an empty voice, and clinging obstinately to
rules of conduct.
Public-domain text, read in full here on John Shaqi.
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