Young Earnest: The Romance of a Bad Start in LifeCannan, Gilbert
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Young Earnest: The Romance of a Bad Start in Life
Cannan, Gilbert
English fiction -- 20th century
Linda was immediately busy organizing her household, buying, buying
all day long; visiting, receiving visitors; she had crowds of friends
and gushing acquaintances, and they easily assimilated her husband,
were interested in him as they were interested in her wall-papers, her
furniture, her plans for the little garden, her gowns, her china. He
used to watch eagerly, almost hungrily, for a sign that they
recognized his existence apart from hers, but no sign ever came. To
the women he was something belonging to dear Linda, and therefore to
be admired since she was reputed to get the best of everything; to the
men, hard-headed, commercial gentry, he seemed to be baffling and
ominous, for they either fished nervously and falteringly for his
views or left him in the silence to which their geniality reduced him.
He resumed his work at the school where he had not yet learned to
disengage himself from his schoolboy's sensations--dread of the
headmaster, an inclination to run along the corridors when the bell
sounded, a desire to smack cheeky little boys over the head,
reluctance to attend prayers in the morning. At the end of the year a
vacancy occurred on the staff of the university and he was appointed
to fill it.
His first tussle with Linda came with his assertion of a desire to be
alone in his study when he was working. She had made a practice of
settling down with him in the evening with her sewing, or some
clerical work connected with one of the various committees to which
she had had herself appointed--social and rescue work, Arts and
Crafts, the University Musical Society, the Thrigsby Amateur Dramatic
Club, the Goethe Society, etc. She had learned to be silent, but by
the plying of her needle or the scratching of her pen she disturbed
and distracted him. He put up with it for some time, but at last it
was too strong for him, and he protested.
"But Mrs. Smallman sits with her husband every evening."
"He may be used to it, and she has a capacity for doing nothing which
you do not share."
"But it's so absurd to have two fires lit in the evening."
"I'd rather not work then, and come and sit with you."
"But you must work. You never say anything."
"Then I must work alone."
"Why must you?"
"Because I can't work any other way."
"What is it disturbs you? I won't do it if you'll tell me."
"I can't tell you. It's just having you there."
"Then you-- Then you-- Oh, well! There's nothing more to say if you
feel like that about me."
"Linda, don't be silly. It isn't about you."
She had already fluttered out of the room and closed the door very
slowly, so that its movement was the most eloquent reproach.
Public-domain text, read in full here on John Shaqi.
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