antidote to superstitions and myths of every kind. [Illustration: FLYING FISH.] The tracing of myths and fables is a very interesting task, and it may, therefore, form a curious study, if we endeavor to investigate very briefly a few of the popular and erroneous beliefs regarding lower animals. The belief regarding the origin of the hair-worms is both widely spread and ancient. Shakespeare tells us that "Much, is breeding Which, like the courser's hair, hath, yet but life, And not a serpent's poison." The hair-worms certainly present the appearance of long, delicate black hairs, which move about with great activity amidst the mud of pools and ditches. These worms, in the early stages of their existence, inhabit the bodies of insects, and may be found coiled up within the grasshopper, which thus gives shelter to a guest exceeding many times the length of the body of its host. Sooner or later the hair-worm, or _Gordius aquaticus_ as the naturalist terms it, leaves the body of the insect, and lays its eggs, fastened together in long strings, in water. From each egg a little creature armed with minute hooks is produced, and this young hair-worm burrows its way into the body of some insect, there to repeat the history of its parent. Such is the well-ascertained history of the hair-worm, excluding entirely the popular belief in its origin. There certainly does exist in science a theory known as that of "spontaneous generation," which, in ancient times, accounted for the production of insects and other animals by assuming that they were produced in some mysterious fashion out of lifeless matter. But not even the most ardent believer in the extreme modification of this theory which holds a place in modern scientific belief, would venture to maintain the production of a hair-worm by the mysterious vivification of an inert substance such as a horse's hair. The expression "crocodile's tears" has passed into common use, and it therefore may be worth while noting the probable origin of this myth. Shakespeare, with that wide extent of knowledge which enabled him to draw similes from every department of human thought, says that "Gloster's show Beguiles him, as the mournful crocodile With sorrow snares relenting passengers."