"You'd like to say it was a something-else shame, wouldn't you, dear
boy? Well, you can, if you like: but then you must say no more. And if
you really want to help me, you shall send me a long letter now and
again, with some of your new poems enclosed; and tell me what new books
are worth sending for? Will you do that?"
"Of course, I will. That's precious little to do anyhow."
"It's a good deal, really. But be sure you do it."
"And, of course, you'll write to me sometimes. I don't think you know
yet what your letters are to me. I never work so well as when I've had a
letter from you."
"Really, dear lad, I don't fancy you know how happy that makes me to
hear."
"Yes, you take just the sort of interest in my work I want, and that no
one else takes."
"Not even Angel?" said Myrtilla, slily.
"Angel, bless her, loves my work; and is a brave little critic of it;
but then it isn't disloyal to her to say that she doesn't know as much
as you. Besides, she doesn't approach it in quite the same way. She
cares for it, first, because it is mine, and only secondly for its own
sake. Now you care for it just for what it is--"
"I care for it, certainly, for what it's going to be," said Myrtilla,
making one of those honest distinctions which made her opinion so
stimulating to Henry.
"Yes, there you are. You're artistically ambitious for me; you know what
I want to do, even before I know myself. That's why you're so good for
me. No one but you is that for me; and--poor stuff as I know it
is--never write a word without wondering what you will think of it."
"You're sure it's quite true," said Myrtilla; "don't say so if it isn't.
Because you know you're saying what I care most to hear, perhaps, of
anything you could say. You know how I love literature, and--well, you
know too how fond I am of you, dear lad, don't you?"
Literary criticism had kindled into emotion; and Henry bent down, and
kissed Myrtilla's hand. In return she let her hand rest a moment lightly
on his hair, and then, rather spasmodically, turned to remark on his
bookshelves with suspicious energy.
At that moment another step was heard in the corridor, again feminine.
Henry knew it for Angel's; and it may be that his expression grew a
shade embarrassed, as he said:
"I believe I shall be able to introduce you to Angel after all--for I
think this is she coming along the passage."
As Henry opened the door, Angel was on the point of throwing her arms
round his neck, when, noticing a certain constraint in his manner of
greeting, she realised that he was not alone.
"We were just talking of you, dear," said Henry. "This is my friend,
Mrs. Williamson,--'Myrtilla,' of whom you've often heard me speak."
"Oh, yes, I've often heard of Mrs. Williamson," said Angel, not of
course suffering the irony of her thought to escape into her voice.
Public-domain text, read in full here on John Shaqi.
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