This consciousness of something ridiculous in the whole business
reassured him, however; and better feelings rose as he went on with a
half-pleased, half-excited, exhilaration and curiosity. The night was
fine, warm, and genial, but dark; a few stars shone large and lambent in
the veiled sky, but there was as yet no moon, so that all the light
there was was concentrated above in the sky, and the landscape
underneath was wrapped in darkness, a soft, cool, incense-breathing
obscurity--for night is as full of odours as the morning. It is full of
sounds too, all the more mysterious for having no kind of connection
with the visible; and no country is so full of sounds as the North
country, where the road will now thread the edge of a dark, unseen,
heathery, thymy moor, and now cross, at a hundred links and folds, the
course of some invisible stream, or some dozens of little runlets
tinkling on their way to a bigger home of waters. Now dark hedgerows
would close in the path; now it would open up and widen into that world
of space, the odorous, dewy moorland; now lead by the little street, the
bridge, the straggling outskirts of a village. Generally all was quiet
in the hamlets, the houses closed, the inhabitants in bed, but sometimes
there would be a sudden gleam of lightness into the night, a dazzle from
an open door or unshuttered window. The first of these rural places was
Stanton, the village close to the great House, where Geoff unconsciously
stole closer into the shadow, afraid to be seen. Here it was the smithy
that was still open, a dazzling centre of light in the gloom. The smith
came forward to his door as they passed, roused by the steady tread of
their footsteps, and looked curiously out upon them, his figure relieved
against the red background of light. “What, Dick! is’t you, lad?” he
said, peering out. “Got off again? that’s right, that’s right; and who’s
that along with you this fine night?” Bampfylde did not stop to reply,
to Geoff’s great relief. He went on with long swinging steps, taking no
notice. “If anybody asks you, say you don’t know,” he said as he went
on, throwing back a sort of challenge into the gloom. He did not talk to
his companion. Sometimes he whistled low, but as clearly as a bird,
imitating indeed the notes of the birds, the mournful cry of the
lapwing, the grating call of the corn-crake; sometimes he would sing to
himself low crooning songs. In this way they made rapid progress to the
foot of the hills.
Public-domain text, read in full here on John Shaqi.
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