For a moment Geoff’s blood ran colder; he felt a little thrill of
dismay. Was this strange creature a “natural” as he had thought, or did
what he said imply danger? But no more was said for a long time.
Bampfylde sank back again all at once into the silence he had so
suddenly broken, or rather into the low crooning of monotonous old songs
with which he had beguiled the first part of the journey. There was a
kind of slumbrous soothing in them which half-interested, half-stupefied
Geoff. They all went to one tune, a tune not like anything he knew--a
kind of low chant, recalling several airs that did not vary from verse
to verse, but repeated itself, and so lulled the wayfarer that all
active sensation seemed to go from him, and the monotonous, mechanical
movement of his limbs seemed to beat time to the croon of sound which
accompanied the gradual march. There was something weird in it,
something like “the woven paces and the waving hands” of the
enchantress. Geoff felt his eyes grow heavy, and his head sinking on his
breast, as the low, regular tramp and chant went on.
At length, all at once, the hills seemed to clear away from the sky,
opening up on either hand; and straight before them, hanging low, like
a signal of trouble, a late risen and waning moon that seemed thrust
forward out into the air, and hanging from the sky, appeared in the
luminous but mournful heaven in front of them. There is always something
more or less baleful and troublous in this sudden apparition, so late
and out of date, of a waning moon; the oil seems low in the lamp, the
light ready to be extinguished, the flame quivering in the socket.
Between them and the sky stood a long, low cottage, rambling and
extensive, with a rough, grey stone wall built round it, upon which the
pale moonlight shone. Long before they reached it, as soon as their
steps could be audible, the mingled baying and howling of a dog was
heard, rising doleful and ominous in the silence; and from under the
roof--which was half rough thatch and half the coarse tiles used for
labourers’ cottages--a light strangely red against the radiance of the
moon flickered with a livid glare. A strange black silhouette of a house
it was, with the low moonlight full upon it, showing here and there in a
ghostly full white upon a bit of wall or roof, and contrasting with the
red light in the window: it made a mystic sort of conclusion to the
journey. Bampfylde directed his steps towards it without a word. He
knocked a stroke or two on the door, which seemed to echo over all the
country and up to the mountain-tops in their great stillness. “We are at
home, now,” he said.
CHAPTER XX.
THE COTTAGE ON THE FELLS.
Public-domain text, read in full here on John Shaqi.
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