“Ah, you are a baby,” said Lilias. She stood with her dark hair shaken
back, and her eyes shining, an image of visionary daring. Nothing could
be more unlike than these two children. The boy had all the features of
his race, blue eyes, fair hair, with a touch of gold in it, a fair
complexion, browned and reddened, indeed, with his long journey and the
warm sun he had been used to, but already changing into the pink and
white of English childhood. But there were none of the Musgrave features
in Lilias. Her dark eyes, dancing with life and energy, her warm colour,
clear brown with an underlying rose tint, and a downy bloomy surface
which softened every outline, and her crisp, yet shining dark hair, all
belonged, not only to a different species, but to a different type of
race. The Musgraves were robust and strong, but their strength was not
of this buoyant kind. The cloud of anxiety which had been about her on
her first appearance, that mystery of doubt with which a little human
creature regards the strange and novel, in whatever form, not knowing if
harm or good may be coming, had floated away, and Lilias had already
taken back her natural character. She was at home in the house, every
room of it, though she knew that she was hidden and thrust into corners,
on account of “the old gentleman downstairs.” This did not depress or
trouble her, but felt like a joke, a mystification and masquerading such
as is dear to childhood. She threw herself into the spirit of it with
enjoyment, instead of brooding over it with melancholy consciousness,
which was what Mary, forgetting childhood, as all grown people do, had
feared.
Public-domain text, read in full here on John Shaqi.
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