Mix together yellow, pink, and white lead. This colour is only proper for distemper. 275. LEMON YELLOW Mix together realgar and orpiment; some object to this mixture on account of the poisonous nature of the ingredients. The same colour can be obtained by mixing yellow-pink with Naples yellow; but it is then only fit for distemper. 276. ORANGE COLOUR For this colour mix red lead and yellow ochre. 277. VIOLET COLOUR Make, by mixing vermillion, or red lead, with black or blue, and a small portion of white: vermillion is far preferable to red lead, in mixing this colour. 278. PURPLE Made by mixing dark-red with violet-colour. 279. CARNATION Mix together lake colour and white. 280. GOLD COLOUR This is procured by mixing massicot, or Naples yellow, with a small quantity of realgar, and a very little Spanish white. 281. OLIVE COLOUR This may be obtained by various mixtures: black and a little blue, mixed with yellow; yellow-pink, with a little verdigris and lamp-black; or ochre and a small quantity of white, will also produce a kind of olive colour. For distemper, indigo and yellow-pink, mixed with white lead or Spanish white, must be used. If veined, it should be done with umber. 282. LEAD COLOUR Mix together indigo and white lead or whiting. 283. CHESTNUT COLOUR Mix red-ochre and black, for a dark-chestnut. To make it lighter, employ a mixture of yellow-ochre. 284. LIGHT TIMBER COLOUR For this colour mix together spruce-ochre, white and a little umber. 285. FLESH COLOUR Mix lake, white-lead, and a little vermilion. 286. LIGHT WILLOW GREEN This is made by mixing white with verdigris. 287. STONE COLOUR Mix white with a little spruce-ochre. 288. DARK LEAD COLOUR Mix black and white with a little indigo. 289. FAWN COLOUR Mix white lead, stone-ochre, and a little vermilion. 290. CHOCOLATE COLOUR Mix lamp-black and Spanish brown. On account of the fatness of the lamp-black, mix some litharge and red lead. 291. PORTLAND STONE COLOUR Mix umber, yellow ochre, and white lead. The variety of shades of brown that may be obtained, are nearly as numerous as those of green. 292. TO IMITATE MAHOGANY Let the first coat of painting be white lead, the second orange, and the last burned umber or sienna; imitating the veins according to your taste and practice. 293. TO IMITATE WAINSCOAT Let the first coat be white, the second half white and half yellow-ochre, and the third yellow-ochre only. Shadow with umber or sienna. 294. TO IMITATE SATIN WOOD Take white for your first coating, light blue for the second, and dark blue or dark green for the third. 295. TURNER'S PATENT YELLOW PAINT