Put 5 quarts of strippings, that is, the last of the milking, into a pan, with 2 spoonsful of rennet. When the curd is come, strike it down two or three times with the skimming-dish, just to break it; let it stand two hours, then spread a cheese-cloth on a sieve, put the curd on it, and let the whey drain; break the curd a little with your hand, and put it into a vat with a 2 lb weight upon it; let it stand twelve hours, take it out, and bind a fillet round; turn every day till dry, from one board to another, cover them with nettles or clean dock leaves, and put between two pewter-plates to ripen. If the weather be warm, it will be ready in three weeks. 548. ELEGANT AND INGENIOUS ARTS, &c. Accomplishments.--These are very desirable for the household, because the inmates are made happier by refined and ingenious arts and pursuits, and are fitted to improve the taste of others. Children and young persons, of both sexes, should learn as many of these arts as they possibly can without neglecting duties. Pleasant modes of employing leisure hours save people from many temptations, and add much to the happiness of life. 549. GRECIAN PAINTING Grecian painting is the art of imitating oil paintings. This truly beautiful imitation, if well done, is so perfect that none save connoisseurs can discern, at sight, the difference. Engravings best suited to this style of painting are mezzotint or aquatint, though fine lithographs are used. Rule First.--Procure a frame one inch longer than the engraved part of the print. Second.--Cut the engraving the size of the frame, then make a stiff paste, and spread thickly on the frame. Third.--Place the engraving face down and sponge it gently with water; then press the frame firmly and evenly down on; leave it till entirely dry (not by the fire) and it will become even and tight. To make the Grecian Varnish.--Take one part turpentine, two parts alcohol, (90 proof,) three parts balsam of fir, and mix. To use the Varnish.--Pour sufficient spirits of turpentine on the back of the picture to moisten it well, then put on the varnish and rub it THOROUGHLY with a stiff brush, and continue to apply it until the picture is perfectly transparent. Spots.--Leave the picture for twenty-four hours, after which if white spots appear, showing that the varnish has not been effectual, repeat the process. Sometimes it has to be done several times. Drying.--Place the picture, face downward, where it will be free from dust, and leave it three or four days. Paints.--These are put on the back of the engraving. Eyes.--For blue eyes, permanent blue and white; for hazel eyes, yellow ochre and vandyke brown. Flesh Tints.--Flake white, with a very little vermillion and Naples yellow. Foliages.--Chrome yellow and Prussian blue, with any of the browns. Sky.--Clouds touched in with white; the rest permanent blue and white.