New York (N.Y.) -- Fiction; Swindlers and swindling -- Fiction
"Blackie," rejoiced Wallingford, wiping his eyes, "I never met your
parents, but I've a bet down that they came from Naples as ballast in
a cattle steamer. But I'm afraid you'll strain yourself on this. Don't
make it too strong."
"I'll make Salvini's acting as tame as a jointed crockery doll,"
asserted Blackie. "This deal is nuts and raisins to me; and say, J.
Rufus, your sending for me was just in the nick of time. Just got a
tip from a post-office friend that the federal officers were going to
investigate my plant, so I'm glad to have a vacation. What's this new
stunt of yours, anyhow?"
"It's a cinch," declared Wallingford, "but I don't want to scramble
your mind with anything but the story of your own life."
To his own romantic, personal history, as Vittoreo Matteo, and to the
interesting fabrications about the world-famous Etruscan pottery, in
the village of Etrusca, near Milan, Italy, Blackie listened most
attentively.
"All right," said he at the finish; "I get you. Now lead me forth to
the merry, merry villagers."
Behind the spanking bays which had made Fannie Bubble the envied of
every girl in Blakeville, Wallingford drove Blackie forth. Already
many of the faithful had gathered at the site of the Blakeville
Etruscan Studios in anticipation of the great Matteo's coming, and
when the tall, black-eyed Italian jumped out of the buggy they fairly
quivered with gratified curiosity. How well he looked the part! If
only he had had long hair! The eyes of the world-famous Italian
ceramic expert, however, were not for the assembled denizens of
Blakeville; they were only for that long and eagerly desired deposit
of Etruscan soil. He leaped from the buggy; he dashed through the gap
in the fence; he rushed to the side of that black swamp, the edges of
which had evaporated now until they were but a sticky mass, and said:
"Oh, da g-r-r-a-a-n-da mod!"
Forthwith, disregarding his cuffs, disregarding his rings,
disregarding everything, he plunged both his white hands into that
sticky mass and brought them up dripping-full of that precious
material--the genuine, no, better than genuine, Etruscan black mud!
A cheer broke out from assembled Blakeville. This surely was artistic
frenzy! This surely was the emotional temperament! This surely was the
manner in which the great Italian black-pottery expert _should_ act in
the first sight of his beloved black mud!
"Da gr-r-r-r-r-a-a-n-da mod!" he repeated over and over, and drew it
close to his face that he might inspect it with a near and loving eye.
One might almost have thought that he was about to kiss it, to bury
his nose in it; one almost expected him to jump into that pond and
wallow in it, his joy at seeing it was so complete.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account