Formerly, a soldier was a man of daring and adventure, brave and
audacious, preferring an irregular life to the narrowing restraints of
civil existence.
The old time soldier trusted in his star without scruple and without
fear, and imagined that he could dominate fate as the gambler fancies
that he masters the laws of chance.
Valour, recklessness, together with a certain rough eloquence, a certain
itch to command, lay at the foundation of his life. His inducements were
pay, booty, showy uniforms and splendid horses. The soldier's life was
filled with adventure, he conquered wealth, he conquered women, and he
roamed through unknown lands.
Until a few years ago, the soldier might have been summed up in three
words: he was brave, ignorant and adventurous.
The warrior of this school passed out of Europe about the middle of the
19th Century. He became extinct in Spain at the conclusion of our Second
Civil War.
Since that day there has been a fundamental change in the life of the
soldier.
War has taken on greater magnitude, while the soldier has become more
refined, and it is not to be denied that both war and the fighting man
are losing their traditional prestige.
DOWN GOES PRESTIGE
The causes of this diminution of prestige are various. Some are moral,
such as the increased respect for human life, and the disfavour with
which the more aggressive, crueler qualities have come to be regarded.
Others, however, and perhaps these are of more importance, are purely
esthetic. Through a combination of circumstances, modern warfare,
although more tragic than was ancient warfare, and even more deadly,
nevertheless has been deprived of its spectacular features.
Capacity for esthetic appreciation has its limits. Nobody is able to
visualize a battle in which two million men are engaged; it can only be
imagined as a series of smaller battles. In one of these modern battles,
substantially all the traditional elements which we have come to
associate with war, have disappeared. The horse, which bulks so largely
in the picture of a battle as it presents itself to our minds, scarcely
retains any importance at all; for the most part, automobiles, bicycles
and motor cycles have taken its place. These contrivances may be useful,
but they do not make the same appeal to the popular imagination.
SCIENCE AND THE PICTURESQUE
Upon taking over warfare, science stripped it of its picturesqueness.
The commanding general no longer cavorts upon his charger, nor smiles as
the bullets whistle about him, while he stands surrounded by an
ornamental general staff, whose breasts are covered with ribbons and
medals representing every known variety of hardware, whether monarchical
or republican.
Today the general sits in a room, surrounded by telephones and telegraph
apparatus. If he smiles at all, it is only before the camera.
Public-domain text, read in full here on John Shaqi.
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