"Gracious, no!" she protested, with a flash of that quick, keen humour
that he remembered as a part of her. "It's solitude that I'm tired to
death of--solitude and the wrong kind of people. You see, the minister
called on me this morning. He happened to be riding by on his bicycle and
felt it his duty to stop. The funniest feature of his conversation is
that he is always excusing my own profession to me. But how we are losing
time! Do tell me about New York; Charley says you're just on from there.
How does it look and taste and smell just now? I think a whiff of the
Jersey ferry would be as flagons of cod-liver oil to me. Are the trees
still green in Madison Square, or have they grown brown and dusty? Does
the chaste Diana still keep her vows through all the exasperating changes
of weather? Who has your brother's old studio now, and what misguided
aspirants practise their scales in the rookeries about Carnegie Hall?
What do people go to see at the theatres, and what do they eat and drink
in the world nowadays? Oh, let me die in Harlem!" she was interrupted by
a violent attack of coughing, and Everett, embarrassed by her discomfort,
plunged into gossip about the professional people he had met in town
during the summer, and the musical outlook for the winter. He was
diagramming with his pencil some new mechanical device to be used at the
Metropolitan in the production of the _Rheingold_, when he became
conscious that she was looking at him intently, and that he was talking
to the four walls.
Katharine was lying back among the pillows, watching him through
half-closed eyes, as a painter looks at a picture. He finished his
explanation vaguely enough and put the pencil back in his pocket. As he
did so, she said, quietly: "How wonderfully like Adriance you are!"
He laughed, looking up at her with a touch of pride in his eyes that made
them seem quite boyish. "Yes, isn't it absurd? It's almost as awkward
as looking like Napoleon--But, after all, there are some advantages. It
has made some of his friends like me, and I hope it will make you."
Katharine gave him a quick, meaning glance from under her lashes. "Oh, it
did that long ago. What a haughty, reserved youth you were then, and how
you used to stare at people, and then blush and look cross. Do you
remember that night you took me home from a rehearsal, and scarcely spoke
a word to me?"
"It was the silence of admiration," protested Everett, "very crude and
boyish, but certainly sincere. Perhaps you suspected something of the
sort?"
Public-domain text, read in full here on John Shaqi.
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