McKann hurried his charges into the foyer by the nearest exit and put
them into his motor. Then he went over to the Schenley to have a glass
of beer and a rarebit before train-time. He had not, he admitted to
himself, been so much bored as he pretended. The minx herself was well
enough, but it was absurd in his fellow-townsmen to look owlish and
uplifted about her. He had no rooted dislike for pretty women; he even
didn't deny that gay girls had their place in the world, but they ought
to be kept in their place. He was born a Presbyterian, just as he was
born a McKann. He sat in his pew in the First Church every Sunday, and he
never missed a presbytery meeting when he was in town. His religion was
not very spiritual, certainly, but it was substantial and concrete, made
up of good, hard convictions and opinions. It had something to do with
citizenship, with whom one ought to marry, with the coal business (in
which his own name was powerful), with the Republican party, and with all
majorities and established precedents. He was hostile to fads, to
enthusiasms, to individualism, to all changes except in mining machinery
and in methods of transportation.
His equanimity restored by his lunch at the Schenley, McKann lit a big
cigar, got into his taxi, and bowled off through the sleet.
There was not a sound to be heard or a light to be seen. The ice
glittered on the pavement and on the naked trees. No restless feet were
abroad. At eleven o'clock the rows of small, comfortable houses looked as
empty of the troublesome bubble of life as the Allegheny cemetery itself.
Suddenly the cab stopped, and McKann thrust his head out of the window. A
woman was standing in the middle of the street addressing his driver in
a tone of excitement. Over against the curb a lone electric stood
despondent in the storm. The young woman, her cloak blowing about her,
turned from the driver to McKann himself, speaking rapidly and somewhat
incoherently.
"Could you not be so kind as to help us? It is Mees Ayrshire, the singer.
The juice is gone out and we cannot move. We must get to the station.
Mademoiselle cannot miss the train; she sings tomorrow night in New York.
It is very important. Could you not take us to the station at East
Liberty?"
McKann opened the door. "That's all right, but you'll have to hurry. It's
eleven-ten now. You've only got fifteen minutes to make the train. Tell
her to come along."
The maid drew back and looked up at him in amazement. "But, the
hand-luggage to carry, and Mademoiselle to walk! The street is like
glass!"
Public-domain text, read in full here on John Shaqi.
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