"One of Stein's many ambitions was to be thought a success with women. He
got considerable notoriety in the garment world by his attentions to an
emotional actress who is now quite forgotten, but who had her little hour
of expectation. Then there was a dancer; then, just after Gorky's visit
here, a Russian anarchist woman. After that the coat-makers and
shirtwaist-makers began to whisper that Stein's great success was
with Kitty Ayrshire.
"It is the hardest thing in the world to disprove such a story, as Dan
Leland and I discovered. We managed to worry down the girl's address
through a taxi-cab driver who got next to Stein's chauffeur. She had an
apartment in a decent-enough house on Waverly Place. Nobody ever came to
see her but Stein, her sisters, and a little Italian girl from whom we
got the story.
"The counterfeit's name was Ruby Mohr. She worked in a shirtwaist
factory, and this Italian girl, Margarita, was her chum. Stein came to
the factory when he was hunting for living models for his new department
store. He looked the girls over, and picked Ruby out from several
hundred. He had her call at his office after business hours, tried her
out in cloaks and evening gowns, and offered her a position. She never,
however, appeared as a model in the Sixth Avenue store. Her likeness to
the newly arrived prima donna suggested to Stein another act in the play
he was always putting on. He gave two of her sisters positions as
saleswomen, but Ruby he established in an apartment on Waverly Place.
"To the outside world Stein became more mysterious in his behaviour
than ever. He dropped his Bohemian friends. No more suppers and
theatre-parties. Whenever Kitty sang, he was in his box at the Manhattan,
usually alone, but not always. Sometimes he took two or three good
customers, large buyers from St. Louis or Kansas City. His coat factory
is still the biggest earner of his properties. I've seen him there with
these buyers, and they carried themselves as if they were being let in on
something; took possession of the box with a proprietory air, smiled and
applauded and looked wise as if each and every one of them were friends
of Kitty Ayrshire. While they buzzed and trained their field-glasses
on the prima donna, Stein was impassive and silent. I don't imagine he
even told many lies. He is the most insinuating cuss, anyhow. He probably
dropped his voice or lifted his eyebrows when he invited them, and let
their own eager imaginations do the rest. But what tales they took back
to their provincial capitals!
Public-domain text, read in full here on John Shaqi.
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