“We will try if his magic can invent an antidote to the bane,” said
he, half-aloud, and with a stern smile, as he summoned Mascari to his
presence. The poison which the prince, with his own hands, mixed into
the wine intended for his guest, was compounded from materials, the
secret of which had been one of the proudest heir-looms of that able
and evil race which gave to Italy her wisest and guiltiest tyrants. Its
operation was quick yet not sudden: it produced no pain,--it left on
the form no grim convulsion, on the skin no purpling spot, to arouse
suspicion; you might have cut and carved every membrane and fibre of the
corpse, but the sharpest eyes of the leech would not have detected the
presence of the subtle life-queller. For twelve hours the victim felt
nothing save a joyous and elated exhilaration of the blood; a delicious
languor followed, the sure forerunner of apoplexy. No lancet then
could save! Apoplexy had run much in the families of the enemies of the
Visconti!
The hour of the feast arrived,--the guests assembled. There were the
flower of the Neapolitan seignorie, the descendants of the Norman, the
Teuton, the Goth; for Naples had then a nobility, but derived it from
the North, which has indeed been the Nutrix Leonum,--the nurse of the
lion-hearted chivalry of the world.
Last of the guests came Zanoni; and the crowd gave way as the dazzling
foreigner moved along to the lord of the palace. The prince greeted him
with a meaning smile, to which Zanoni answered by a whisper, “He who
plays with loaded dice does not always win.”
The prince bit his lip, and Zanoni, passing on, seemed deep in
conversation with the fawning Mascari.
“Who is the prince’s heir?” asked the guest.
“A distant relation on the mother’s side; with his Excellency dies the
male line.”
“Is the heir present at our host’s banquet?”
“No; they are not friends.”
“No matter; he will be here to-morrow.”
Mascari stared in surprise; but the signal for the banquet was given,
and the guests were marshalled to the board. As was the custom then, the
feast took place not long after mid-day. It was a long, oval hall, the
whole of one side opening by a marble colonnade upon a court or garden,
in which the eye rested gratefully upon cool fountains and statues of
whitest marble, half-sheltered by orange-trees. Every art that
luxury could invent to give freshness and coolness to the languid and
breezeless heat of the day without (a day on which the breath of the
sirocco was abroad) had been called into existence. Artificial currents
of air through invisible tubes, silken blinds waving to and fro, as if
to cheat the senses into the belief of an April wind, and miniature jets
d’eau in each corner of the apartment, gave to the Italians the same
sense of exhilaration and COMFORT (if I may use the word) which the
well-drawn curtains and the blazing hearth afford to the children of
colder climes.
Public-domain text, read in full here on John Shaqi.
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