“And that he may be known,” continued the Englishman’s strange
protector, “to the eye and to the ear, I place around him the white
sash, and I give him the sacred watchword, ‘Peace to the Brave.’ Signor,
when you wear this sash, the proudest in these parts will bare the head
and bend the knee. Signor, when you utter this watchword, the bravest
hearts will be bound to your bidding. Desire you safety, or ask you
revenge--to gain a beauty, or to lose a foe,--speak but the word, and we
are yours: we are yours! Is it not so, comrades?”
And again the hoarse voices shouted, “Amen, Amen!”
“Now, signor,” whispered the bravo, “if you have a few coins to spare,
scatter them amongst the crowd, and let us be gone.”
Glyndon, not displeased at the concluding sentence, emptied his purse
in the streets; and while, with mingled oaths, blessings, shrieks, and
yells, men, women, and children scrambled for the money, the bravo,
taking the rein of the horse, led it a few paces through the village at
a brisk trot, and then, turning up a narrow lane to the left, in a few
minutes neither houses nor men were visible, and the mountains closed
their path on either side. It was then that, releasing the bridle and
slackening his pace, the guide turned his dark eyes on Glyndon with an
arch expression, and said,--
“Your Excellency was not, perhaps, prepared for the hearty welcome we
have given you.”
“Why, in truth, I OUGHT to have been prepared for it, since the signor,
to whose house I am bound, did not disguise from me the character of the
neighbourhood. And your name, my friend, if I may so call you?”
“Oh, no ceremonies with me, Excellency. In the village I am generally
called Maestro Paolo. I had a surname once, though a very equivocal one;
and I have forgotten THAT since I retired from the world.”
“And was it from disgust, from poverty, or from some--some ebullition
of passion which entailed punishment, that you betook yourself to the
mountains?”
“Why, signor,” said the bravo, with a gay laugh, “hermits of my class
seldom love the confessional. However, I have no secrets while my step
is in these defiles, my whistle in my pouch, and my carbine at my back.”
With that the robber, as if he loved permission to talk at his
will, hemmed thrice, and began with much humour; though, as his tale
proceeded, the memories it roused seemed to carry him farther than he
at first intended, and reckless and light-hearted ease gave way to
that fierce and varied play of countenance and passion of gesture which
characterise the emotions of his countrymen.
Public-domain text, read in full here on John Shaqi.
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