And now, when Glyndon and Viola met again, the haunting fears of
childhood, thus referred to, woke from their enchanted sleep. With
Glyndon’s terror she felt a sympathy, against which her reason and her
love struggled in vain. And still, when she turned her looks upon her
child, it watched her with that steady, earnest eye, and its lips moved
as if it sought to speak to her,--but no sound came. The infant refused
to sleep. Whenever she gazed upon its face, still those wakeful,
watchful eyes!--and in their earnestness, there spoke something of pain,
of upbraiding, of accusation. They chilled her as she looked. Unable
to endure, of herself, this sudden and complete revulsion of all the
feelings which had hitherto made up her life, she formed the resolution
natural to her land and creed; she sent for the priest who had
habitually attended her at Venice, and to him she confessed, with
passionate sobs and intense terror, the doubts that had broken upon her.
The good father, a worthy and pious man, but with little education and
less sense, one who held (as many of the lower Italians do to this day)
even a poet to be a sort of sorcerer, seemed to shut the gates of
hope upon her heart. His remonstrances were urgent, for his horror was
unfeigned. He joined with Glyndon in imploring her to fly, if she felt
the smallest doubt that her husband’s pursuits were of the nature which
the Roman Church had benevolently burned so many scholars for adopting.
And even the little that Viola could communicate seemed, to the ignorant
ascetic, irrefragable proof of sorcery and witchcraft; he had, indeed,
previously heard some of the strange rumours which followed the path
of Zanoni, and was therefore prepared to believe the worst; the worthy
Bartolomeo would have made no bones of sending Watt to the stake, had he
heard him speak of the steam-engine. But Viola, as untutored as himself,
was terrified by his rough and vehement eloquence,--terrified, for
by that penetration which Catholic priests, however dull, generally
acquire, in their vast experience of the human heart hourly exposed
to their probe, Bartolomeo spoke less of danger to herself than to her
child. “Sorcerers,” said he, “have ever sought the most to decoy and
seduce the souls of the young,--nay, the infant;” and therewith he
entered into a long catalogue of legendary fables, which he quoted
as historical facts. All at which an English woman would have smiled,
appalled the tender but superstitious Neapolitan; and when the priest
left her, with solemn rebukes and grave accusations of a dereliction of
her duties to her child, if she hesitated to fly with it from an abode
polluted by the darker powers and unhallowed arts, Viola, still clinging
to the image of Zanoni, sank into a passive lethargy which held her very
reason in suspense.
Public-domain text, read in full here on John Shaqi.
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