To this personage, then, Glyndon musingly bent his way. It was true, as
he had darkly said to Viola, that in proportion as he had resisted the
spectre, its terrors had lost their influence. The time had come at
last, when, seeing crime and vice in all their hideousness, and in so
vast a theatre, he had found that in vice and crime there are deadlier
horrors than in the eyes of a phantom-fear. His native nobleness began
to return to him. As he passed the streets, he revolved in his mind
projects of future repentance and reformation. He even meditated, as a
just return for Fillide’s devotion, the sacrifice of all the reasonings
of his birth and education. He would repair whatever errors he had
committed against her, by the self-immolation of marriage with one
little congenial with himself. He who had once revolted from marriage
with the noble and gentle Viola!--he had learned in that world of wrong
to know that right is right, and that Heaven did not make the one sex to
be the victim of the other. The young visions of the Beautiful and the
Good rose once more before him; and along the dark ocean of his mind lay
the smile of reawakening virtue, as a path of moonlight. Never, perhaps,
had the condition of his soul been so elevated and unselfish.
In the meanwhile Jean Nicot, equally absorbed in dreams of the future,
and already in his own mind laying out to the best advantage the gold of
the friend he was about to betray, took his way to the house honoured
by the residence of Robespierre. He had no intention to comply with the
relenting prayer of Fillide, that the life of Glyndon should be spared.
He thought with Barrere, “Il n’y a que les morts qui ne revient pas.”
In all men who have devoted themselves to any study, or any art, with
sufficient pains to attain a certain degree of excellence, there must be
a fund of energy immeasurably above that of the ordinary herd. Usually
this energy is concentrated on the objects of their professional
ambition, and leaves them, therefore, apathetic to the other pursuits
of men. But where those objects are denied, where the stream has not its
legitimate vent, the energy, irritated and aroused, possesses the whole
being, and if not wasted on desultory schemes, or if not purified by
conscience and principle, becomes a dangerous and destructive element in
the social system, through which it wanders in riot and disorder. Hence,
in all wise monarchies,--nay, in all well-constituted states,--the
peculiar care with which channels are opened for every art and every
science; hence the honour paid to their cultivators by subtle and
thoughtful statesmen, who, perhaps, for themselves, see nothing in a
picture but coloured canvas,--nothing in a problem but an ingenious
puzzle. No state is ever more in danger than when the talent that should
be consecrated to peace has no occupation but political intrigue or
personal advancement. Talent unhonoured is talent at war with men. And
Public-domain text, read in full here on John Shaqi.
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