The child was exceedingly fond of Viola, and the old people thought that
her mere presence would bring healing; but when Viola arrived, Beatrice
was insensible. Fortunately there was no performance that evening at San
Carlo, and she resolved to stay the night and partake its fearful cares
and dangerous vigil.
But during the night the child grew worse, the physician (the leechcraft
has never been very skilful at Naples) shook his powdered head, kept his
aromatics at his nostrils, administered his palliatives, and departed.
Old Bernardi seated himself by the bedside in stern silence; here was
the last tie that bound him to life. Well, let the anchor break and the
battered ship go down! It was an iron resolve, more fearful than sorrow.
An old man, with one foot in the grave, watching by the couch of a dying
child, is one of the most awful spectacles in human calamities. The wife
was more active, more bustling, more hopeful, and more tearful. Viola
took heed of all three. But towards dawn, Beatrice’s state became so
obviously alarming, that Viola herself began to despair. At this time
she saw the old woman suddenly rise from before the image of the saint
at which she had been kneeling, wrap herself in her cloak and hood, and
quietly quit the chamber. Viola stole after her.
“It is cold for thee, good mother, to brave the air; let me go for the
physician?”
“Child, I am not going to him. I have heard of one in the city who has
been tender to the poor, and who, they say, has cured the sick when
physicians failed. I will go and say to him, ‘Signor, we are beggars
in all else, but yesterday we were rich in love. We are at the close
of life, but we lived in our grandchild’s childhood. Give us back our
wealth,--give us back our youth. Let us die blessing God that the thing
we love survives us.’”
She was gone. Why did thy heart beat, Viola? The infant’s sharp cry
of pain called her back to the couch; and there still sat the old man,
unconscious of his wife’s movements, not stirring, his eyes glazing fast
as they watched the agonies of that slight frame. By degrees the wail
of pain died into a low moan,--the convulsions grew feebler, but more
frequent; the glow of fever faded into the blue, pale tinge that settles
into the last bloodless marble.
The daylight came broader and clearer through the casement; steps were
heard on the stairs,--the old woman entered hastily; she rushed to the
bed, cast a glance on the patient, “She lives yet, signor, she lives!”
Public-domain text, read in full here on John Shaqi.
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