Zanzibar; city, island, and coast. Vol. 2 (of 2)Burton, Richard Francis, Sir
History
Zanzibar; city, island, and coast. Vol. 2 (of 2)
Burton, Richard Francis, Sir
Africa, East -- Description and travel; Ethnology -- Tanzania -- Zanzibar; Zanzibar -- Description and travel
Our purchase concluded, we returned to the Riámi, followed by the
headmen, who after refreshment of dates, Maskat Halwa (sweetmeats), and
coffee, naturally became discontented with the promised amount of
‘hishmat,’ or honorarium. At last they begged us to return, and to
assist them in digging for sweet water. There were four or five
carefully-built wells in the ruined city; but all had been exhausted by
age, and the water supplied by the lowland-pits was exceedingly
nauseous. As a rule, these people readily apply for advice and
assistance to the ‘Wazungu,’ or wise-men, as Europeans are styled; and
if showers chance to accompany the traveller, he is looked upon as a
beneficent being, not without a suspicion of white magic. Here, with $6,
we took leave of pleasant old Khalfan, our guide, a veteran, but still
hale and vigorous: no Omani Arab is, I may again remark, worth his salt
till his beard is powdered by Time.
At 5 A.M. on February 3rd, having shipped a pilot, we hoisted sail;
after three hours we ran past Maziwi Island and slipped down before the
light and tepid morning breeze to the port of Panga-ni. It was necessary
to land with some ceremony at a place which I determined to make our
starting-point into the interior. Presently after arrival I sent Said
bin Salim, in all his bravery, to deliver the Sayyid of Zanzibar’s
circular letters addressed to the Wáli, or Governor, to the Jemadar, to
the Collector of Customs, and to the several Diwáns. All this
preparation for a trifle of 80 miles! But we are in Africa; and even in
Europe such a raid, through an enemy’s country is not always easy.
My companion and I landed in the cool of the evening with our Portuguese
servants and our luggage. We were received with all honours of noise and
crowding. The orchestra consisted of three monstrous drums (Ngoma Khu),
caissons of cocoa-trunk, covered at both ends with goat-leather, and
pounded, like the pulpit, with fist; and of Siwa or bassoons of hard
blackwood, at least five feet long. These were enlivened by a pair of
Zumari, or flageolets, whose vile squeaking set the teeth on edge; by
the Zeze, or guitar; the Kinanda, or banjo; by the Barghumi or Kudu
horn; and by that instrument of dignity, the Upatu, a brass pan, the
primitive cymbal, whose bottom is performed upon by little sticks like
cabbage-stalks. The Jemadar, Asad Ullah, came en grand’ tenue. The
Diwans capered and pyrrhic’d before us with the pomp and circumstance of
drawn swords, whilst the prettiest of the slave girls, bare-headed and
with hair à la Brutus, sang and flapped their skirts over the ground,
performing a _pavane_ with a very modest and downcast demeanour, as if
treading upon a too hot floor. They reminded me of a deceased friend’s
clever doggrel—
You look so demure, ma’am, so quiet, so calm,
Ever chanting a hymn, ever singing a psalm;
Yet your thoughts are on heaven and virtue no more
Than the Man’s in the Moon’—
Public-domain text, read in full here on John Shaqi.
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