Next may come a cold omelet, whose fluffy strata of egg have been
wrapped like a cinnamon roll around layers of dark seaweed. The
omelet's exterior will have been glazed to an almost ceramic polish and
garnished with a white radish sauce, light and piquant. After the
omelet may come fish, raw sashimi in a plethora of varieties from
freshwater carp to sea bream to the (sometimes lethal) fugu. The
subtleties in taste and texture between the many species available are
to the Japanese what fine wines are to the Western connoisseur. Yet the
chef's real genius has gone into the careful cutting and display of the
fish. The red back meat of the tuna must be cut into thick slices
because of its tenderness, but the fatty pink meat from the belly can
be cut into thin strips. The size of the slices governs how they are
displayed. The display and garnishing of the sashimi is an important
testing ground for the chef's artistic originality. After all, the fish
are raw, and beyond making sure that they are fresh and of high
quality, there is little to be done about the flavor. Therefore the
chef must become an artist if the sashimi are to be memorable.
The banquet may continue with soup, often created from fish stock and
fermented soybean paste called miso. The soup arrives in closed lacquer
bowls, on the lids of which will be embellished a design of the season,
perhaps a bamboo shoot or a chrysanthemum blossom. Beneath this lid is
a tranquil sea of semitransparent marine broth, tinted amber and
seasoned with delicate green scallion rings and cubes of bland white
soybean curd. The bottom of the bowl may shelter a family of thumbnail-
sized baby clams, still nestled in their open shells. The soup hints of
the field and the sea, but in delicate nuances, like an ink painting
executed in a few suggestive strokes.
The parade of tiny dishes continues until the host's imagination
falters or your appetite is conquered. Green beans, asparagus, lotus
root, carrots, tree leaves, legumes . . . the varieties of plants will
seem virtually endless. Each taste and texture will be slightly
different, each color subtly orchestrated. Yet it all seems perfectly
natural, as though the world of mountain and sea had somehow presented
itself at your table to be sampled. You become acutely aware of the
natural taste of the plants ripening in the fields outside at that very
moment. But to enjoy this cuisine you must sharpen your senses; no
flavor is allowed to be dominant, no spice overwhelming. You must reach
out with your sensibilities and attune yourself to the world around
you.
Public-domain text, read in full here on John Shaqi.
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