Zigzag Journeys in Europe: Vacation Rambles in Historic LandsButterworth, Hezekiah
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Zigzag Journeys in Europe: Vacation Rambles in Historic Lands
Butterworth, Hezekiah
England -- Description and travel -- Juvenile literature; France -- Description and travel -- Juvenile literature
"We have also had views of the homes and haunts of great authors,"
said Ernest. "I have made a scrap-book of leaves and flowers from the
homes and graves of men of letters, and it includes souvenirs of
nearly all the most eminent names in English literature."
Havre is really a port of Paris, and is one of the most thriving
maritime towns of France. Like most port towns it is more
businesslike than picturesque. The Class made but two visits here,
outside of the hotel. One of these was to the birthplace of Bernardin
de St. Pierre in Rue de la Cordesis, and the other to the cliffs on
which the great French light-houses are erected at a height of three
hundred feet.
[Illustration: MOLIÈRE.]
It was in the bright twilight of a late day in August that the Class
mounted the cliffs and overlooked the sea, whose waves still reflected
the vermilion of the sky. The boys were sober at the thought that this
was their last day in Europe, and that they were now to return to the
set tasks of the school-room.
[Illustration: THE READING OF "PAUL AND VIRGINIA."]
"These cliffs," said Master Lewis, "were the favorite haunts of the
author of 'Paul and Virginia.' He was a mere theorist, a daydreamer;
and here he loved to gaze on the bright sea, and plan expeditions
of republican colonists to such lands as he paints in his novels. His
expeditions ended in the air. But he himself went to Mauritius, where
he lived three years. On his return to Paris, while the brightness of
tropical scenery still haunted him, he wrote 'Paul and Virginia.'"
[Illustration: RACINE.]
"When Corneille, the great Corneille, as the popular dramatist came to
be called, read his masterpiece, _Polyeucte_, to a party of
fashionable literary people in Paris, it was coolly received on
account of the fine Christian sentiments it contained. The criticism
was that the religion of the stage should be that, not of God, but of
the gods. Even a bishop present took this view.
"Bernardin de St. Pierre was as sharply criticised when he first read
in public his beautiful romance of 'Paul and Virginia.' It was at a
party given by Madame Necker. 'At first,' says a writer, 'every one
listened in silence; then the company began to whisper, then to yawn.
Monsieur de Buffon ordered his carriage, and slipped out of the
nearest door. The ladies who listened were ridiculed when tears at
last gathered in their eyes.'
[Illustration: RACINE READING TO LOUIS XIV.]
"_Polyeucte_ still lives in French literature, and the wits who
condemned it are forgotten; 'Paul and Virginia' charmed France; fifty
imitations of it were published in a single year, and it was rapidly
translated into all European tongues. It remains a classic, but the
critics in Madame Necker's parlors are recollected only for their
mistake."
Public-domain text, read in full here on John Shaqi.
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