Zone Policeman 88; a close range study of the Panama canal and its workersFranck, Harry Alverson
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Zone Policeman 88; a close range study of the Panama canal and its workers
Franck, Harry Alverson
Panama Canal (Panama); Police -- Panama -- Canal Zone
No catastrophe had befallen during my absence. The same peaceful sunny
Sunday reigned in Gatun; new-laundered laborers were still lolling in
the shade of the camps, West Indians were still batting at interminable
balls with their elongated paddles in the faint hope of deciding the
national game before darkness settled down. Then twilight fell and I
set off through the rambling town already boisterous with church
services. Before the little sub-station a swarm of negroes was pounding
tamborines and bawling lustily:
Oh, yo mus' be a lover of de Lard
Or yo cahn't go t' Heaven when yo di-ie.
Further on a lady who would have made ebony seem light-gray bowed over
an organ, while a burly Jamaican blacker than the night outside stood
in the vestments of the Church of England, telling his version of the
case in a voice that echoed back from the town across the gully, as if
he would drown out all rival sects and arguments by volume of sound.
The meeting-house on the next corner was thronged with a singing
multitude, tamborines scattered among them and all clapping hands to
keep time, even to the pastor, who let the momentum carry on and on
into verse after verse as if he had not the self-sacrifice to stop it,
while outside in the warm night another crowd was gathered at the edge
of the shadows gazing as at a vaudeville performance. How well-fitted
are the various brands of Christianity to the particular likings of
their "flocks." The strongest outward manifestation of the religion of
the West Indian black is this boisterous singing. All over town were
dusky throngs exercising their strong untrained voices "in de Lard's
sarvice"; though the West Indian is not noted as being musical. Here a
preacher wanting suddenly to emphasize a point or clinch an argument
swung an arm like a college cheer leader and the entire congregation
roared forth with him some well-known hymn that settled the question
for all time.
I strolled on into darker High street. Suddenly on a veranda above
there broke out a wild unearthly screaming. Two negroes were engaged in
savage, sanguinary combat. Around them in the dim light thrown by a
cheap tenement lamp I could make out their murderous weapons--machetes
or great bars of iron--slashing wildly, while above the din rose
screams and curses:
Yo ---- Badgyan, ah kill yo!
I sped stealthily yet swiftly up the long steps, drawing my No. 38 (for
at last I had been issued one) as I ran and dashed into the heart of
the turmoil swallowing my tendency to shout "Unhand him, villain!" and
crying instead:
"Here, what the devil is going on here?"
Whereupon two negroes let fall at once two pine sticks and turned upon
me their broad childish grins with:
"We only playin', sar. Playin' single-sticks which we larn to de army
in Bahbaydos, sahgeant."
Public-domain text, read in full here on John Shaqi.
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