Paris (France) -- Social life and customs -- Fiction; Short stories, American
No, Little Tapin could hardly comprehend. He pondered dully upon this
new development of his fate all that afternoon, and then, suddenly,
while he was beating the staccato roll of the retraite in the court of
the caserne that night, he understood! Why, it was to go further away,
this,--further away from Plougastel, and the Little Mother, and Rosalie,
to be stationed in God knew what great town, crueller, more crowded than
even Paris herself!
All that night Little Tapin lay staring at the ceiling of the big
dortoir, while the comrades breathed heavily around him. And, little by
little, the spirit of rebellion roused and stirred in his simple Breton
heart. For he hated it all,--this army, this dreary, rigid routine, this
contemptuous comment of trim, sneering young lieutenants, with waxed
mustaches, and baggy red riding breeches, and immaculately varnished
boots. He hated his own uniform, which another tapin had worn before
him, and which, in consequence, had never even had the charm of
freshness. He hated the bugles, and the drums,--yes, and, more than all,
the tricolor, the flag of the great, cruel Republic which had cooped him
up in these desolate barracks of La Pépinière, instead of sending him
with other Bretons out to the arms of the blue sea! And, when gray
morning crept through the windows of the dortoir, there lay upon the
pallet of Little Tapin a deserter, in spirit, at least, from the 107th
of the line!
That day, for the third time since joining the regiment, Little Tapin
was detailed as drummer to the guard at the Palais du Louvre. He knew
what _that_ meant,--a long, insufferably tiresome day, with nothing to
do save to idle about a doorway of the palace, opposite the place du
Palais Royal, watching the throng of shoppers scurrying to and fro, and
passing in and out of the big magasins du Louvre. It was only as sunset
approached that the drummer of the guard detail had any duty to perform.
Then he marched, all alone, with his drum slung on his hip, across the
place du Carrousel, and down the wide central promenade of the Tuileries
gardens, to the circular basin at their western end, where, on pleasant
afternoons, the little Parisians--and some, too, of larger
growth--manoeuvred their miniature yachts, to the extreme vexation of
the sluggish gold-fish. There, standing motionless, like a sketch by
Edouard Detaille, he watched the sun creep lower, lower, behind the arc
de l'Etoile, until it went out of sight, and then, turning, he marched
back, drumming sturdily, to warn all who lingered in the gardens that
the gates were about to close.
Public-domain text, read in full here on John Shaqi.
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