Paris (France) -- Social life and customs -- Fiction; Short stories, American
"Monsieur is an officer?" faltered the drummer,--"a general, perhaps.
Pardon, but I do not know the uniform."
"A corporal, simply--a soldier of France, like thyself. Be not afraid,
my little one. All thou sayest shall be held in confidence. Tell me thy
difficulties."
His voice was very kind, the kindest Little Tapin had heard in three
long months, and suddenly the barrier of his Breton reserve gave and
broke. The nervous strain had been too great. He must have sympathy and
advice--yes, even though it meant confiding in a stranger and the
possible discovery and failure of his dearly cherished plans.
"A soldier of France!" he exclaimed, impulsively. "Ah, monsieur, there
you have all my difficulty. What a thing it is to be a soldier of
France! And not even that, but a drummer, a drummer who is called Little
Tapin because he is the smallest and weakest in the corps. To be taken
from home, from the country he loves, from Brittany, and made to serve
among men who despise him, who laugh at him, who avoid him in the hours
of leave, because he is not bon camarade. To wear a uniform that has
been already worn. To sleep in a dormitory where there are bêtes
funestes. To have no friends. To know that he is not to see Plougastel,
and the sweetheart, and the Little Mother for three years. Never to
fight, but, at best, to drum voyous out of a garden! That, monsieur, is
what it is to be a soldier of France!"
There were tears in Little Tapin's eyes now, but he was more angry than
sad. The silence of months was broken, and the hoarded resentment and
despair of his long martyrdom, once given rein, were not to be checked a
second time. He threw back his narrow shoulders defiantly, and said a
hideous thing:--
"Conspuez l'armée française!"
There was an instant's pause, and then the other leaned forward, and
with one white-gloved hand touched Little Tapin on the eyes.
* * * * *
Before them a great plain, sloping very gradually upward in all
directions, like a vast, shallow amphitheatre, spread away in a long
series of low terraces to where, in the dim distance, the peaks of a
range of purple hills nicked and notched a sky of palest turquoise. From
where they stood, upon a slight elevation, the details of even the
farthest slopes seemed singularly clean-cut and distinct,--the groups of
grey willows; the poplars, standing stiffly in twos and threes; the
short silver reaches of a little river, lying in the hollows where the
land occasionally dipped; at long intervals, a whitewashed cottage,
gleaming like a sail against this sea of green; even, on the most
distant swell of all, a herd of ruddy cattle, moving slowly up toward
the crest,--each and all of these, although in merest miniature, as
clear and vivid in form and color as if they had been the careful
creations of a Claude Lorrain.
Public-domain text, read in full here on John Shaqi.
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