Paris (France) -- Social life and customs -- Fiction; Short stories, American
Some one had helped l'L Majuscule to his feet, and he stood there, a
preposterous figure, in soiled pink tights, holding out his wings, with
his huge feet turned in like a pigeon's.
"Monsieur le directeur"--he began.
"He speaks!" cried Huit Reflets, whirling around and addressing the
throng. "He _dares_ to speak, this bad sou, this oyster! He does not
comprehend that he is discharged. He counts that I am about to resign in
his favor! Ah, non, it is too much!"
He flung himself about again, facing Maxime.
"Well, then," he added with forced calm, "thou art put at the door, is
it clear? Take thy rags from yonder, and begone!"
"Mais, monsieur"--
"Oh!" cried the director, flinging his arms upward; and immediately
vanished within the silver gates of Heaven, followed by his personnel,
with the fallen angel bringing up the rear.
Half an hour later, having exchanged his celestial raiment for his
former earthly garb, Monsieur Perrot sat in solitary state at a table
in the café Cyrano, and pondered the details of a project of revenge.
The idea had come to him suddenly, like an inspiration, on seeing the
nonchalant demon at the portals of L'Enfer, but it required arranging,
elaboration. A man who made one blunder was but human, but a man who
made two in succession--that was a mere root of celery! So l'L Majuscule
thought hard. And when the will is so earnest, it is strange if the way
be not forthcoming. At midnight he arose with a sigh of satisfaction,
and took his way homeward, smiling.
It was barely eight o'clock, the following evening, when Maxime entered
L'Enfer. He was tastefully dressed in an excessively checked suit and a
silk hat, and he wore a full black beard and spectacles, and rolled his
r's in speaking, in the fashion of the South. The demon at the door,
unsuspecting, greeted him effusively as "cher damné," and piloted him to
a table at the further end of the cabaret. The table had a ground-glass
top, through which shone electric lights which kept changing
mysteriously from green to red and back again, and the whole interior of
L'Enfer was of imitation rock, diversified by grinning faces. It was
very artistic, and, what was better, very dark. Maxime was
unnecessarily mistrustful of his false beard.
At this early hour, he was the only visitor. An obliging demon supplied
him with a green chartreuse, and, upon invitation, procured another for
himself, and took the opposite seat.
The conversation, which began with commonplaces, soon assumed a more
intimate tone. Monsieur, it appeared, was from Toulouse, but this was
not his first visit to L'Enfer. In fact, a place so amusing--what? He
never missed it when he came to Paris.
Oh, but monsieur was too good!
Public-domain text, read in full here on John Shaqi.
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