In 1860 we find six full-page illustrations to _Lovel the Widower_, three to _The Four Georges_, two to _Roundabout Papers_, all by Thackeray, to whom they are all formally attributed in the _Cornhill Gallery_. Possibly one, entirely unlike the style of the rest to The _Four Georges_, is from another hand--the fact that it is not included in the reprint seems to confirm this suspicion. Millais' first contributions included _Unspoken Dialogue_, _'Last Words,'_ and the beginning of the illustrations to _Framley Parsonage_, which he equalled often but never excelled. F. Sandys is represented by _Legends of the Portent_ (i. p. 617), and Frederick Leighton by _The Great God Pan_ (ii. p. 84) to Mrs. Browning's poem. _Ariadne in Naxos_, an outline-drawing in a decorative frame, is unsigned, and so strangely unlike the style of the magazine that it provokes curiosity. In 1861 Thackeray started illustrating his serial story, _The Adventures of Philip_, but, after four full-page drawings, relinquished the task to Fred Walker, who at first re-drew Thackeray's compositions, but afterwards signed his work with the familiar 'F. W.' We may safely attribute eight solely to him. Millais continued his series of drawings to illustrate _Framley Parsonage_, and has besides one other, entitled _Temptation_ (iii. p. 229). A series of studies of character, _The Excursion Train_, by C. H. Bennett, is a notable exception to the practice of the magazine, which printed all its 'pictures' on plate-paper apart from the text, the blocks in the text (always excepting the initial letters) being elsewhere limited to diagrams elucidating the matter and obviously removed from consideration as pictures. This year Doyle began those outline pictures of Society which attained so wide a popularity. [Illustration: FREDERICK SANDYS 'CORNHILL MAGAZINE' VOL. I. p. 62 LEGEND OF THE PORTENT] [Illustration: FREDERICK SANDYS 'CORNHILL MAGAZINE' VOL. VI. p. 346 MANOLI]