In 1875 H. Allingham supplies most graceful pictures to _Miss Angel_. Du Maurier is the artist chosen for another Hardy novel, _The Hand of Ethelberta_. A. Hopkins illustrates Mr. Henley's wonderful achievement, _Hospital Outlines_, as the poems were called when they appeared in July 1875. From this date to the last number of the shilling series, June 1883, the artists are limited to Small and Du Maurier for the most part, and as this record has already exceeded its limits, no more need be said, except that until the last, the high standard of technical excellence was never abandoned. Although the rare mastery of Millais and the charm of Walker were hardly approached by their successors, yet the magazine was always representative of the best work of those of its contemporaries who devoted themselves to black and white, and not infrequently, as this notice shows, attracted men who have made few, if any other, attempts to draw for publication. It is curious to find that, notwithstanding the evident importance it attached to its pictorial department, no artist's name is ever mentioned in the index or elsewhere. In a graceful and discriminative essay 'S. C.' speaks feelingly and appreciatively of Fred Walker just after his death; but that seems to be the only time when the anonymity imposed on the artists was divulged in the magazine itself. It is but fair to add that the literary contents were never signed, or attributed in the index, except that a few articles bear the now familiar initials, 'L. S.', 'W. E. H.', 'R. L. S.', 'G. A.', and others. GOOD WORDS