T. Morten has a finely-engraved night-piece, _Pictures in the Fire_ (p. 200), besides _The Christmas Child_ (p. 56) and _The Carrier Pigeon_ (p. 121). The Holman Hunt, _Go and Come_ (p. 32), a weeping figure, is not particularly interesting. _Honesty_ (p. 736), by T. Graham, gives evidence of the power of an artist who has yet to be 'discovered' so far as his illustrations are concerned. H. H. Armstead's _Seaweeds_ (p. 568), and eight by J. D. Watson (pp. 9, 81, 144, 201, 209, 302, 400, 433) need no special comment, nor do the ten by J. Pettie (pp. 264-713). Fred Walker is represented by _The Summer Woods_, a typical pastoral (p. 368), _Love in Death_, a careworn woman in the snow (p. 185), and _Out among the wild flowers_ (p. 657), the latter an excellent example of the grace he imparted to rustic figures. These, with a few diagrams and engravings from photographs, complete the record of a memorable, if not the most memorable, year of the magazine. [Illustration: T. GRAHAM 'GOOD WORDS' 1862, p. 736 HONESTY] [Illustration: M. J. LAWLESS 'GOOD WORDS' 1862, p. 153 RUNG INTO HEAVEN] [Illustration: M. J. LAWLESS 'GOOD WORDS' 1862, p. 632 THE BANDS OF LOVE] [Illustration: J. PETTIE 'GOOD WORDS' 1863, p. 14 THE MONKS AND THE HEATHEN] [Illustration: FREDERICK SANDYS 'GOOD WORDS' 1863, p. 589 SLEEP] [Illustration: FREDERICK SANDYS 'GOOD WORDS' 1862, p. 312 UNTIL HER DEATH] [Illustration: JOHN TENNIEL 'GOOD WORDS' 1863, p. 201 THE NORSE PRINCESS]