The Divine Comedy of Dante Alighieri: The Inferno — Dante Alighieri — John Shaqi
The Divine Comedy of Dante Alighieri: The Inferno
Dante Alighieri · en
We have Dante's own word for it that he found his exile almost
intolerable. Besides the bitter resentment which he felt at the
injustice of it, he probably cherished the conviction that his career
had been cut short when he was on the point of acquiring great influence
in affairs. The illusion may have been his--one not uncommon among men
of a powerful imagination--that, given only due opportunity, he could
mould the active life of his time as easily as he moulded and fashioned
the creations of his fancy. It was, perhaps, owing to no fault of his
own that when a partial opportunity had offered itself, he failed to get
his views adopted in Florence; indeed, to judge from the kind of
employment in which he was more than once engaged for his patrons, he
must have been possessed of no little business tact. Yet, as when his
feelings were deeply concerned his words knew no restraint, so his hopes
would partake of the largeness of his genius. In the restored Empire,
which he was almost alone in longing for as he conceived of it, he may
have imagined for himself a place beside Henry like what in Frederick's
court had been filled by Pier delle Vigne--the man who held both keys to
the Emperor's heart, and opened and shut it as he would.[106]
Thus, as his exile ran on it would grow sadder with the accumulating
memories of hopes deferred and then destroyed, and of dreams which had
faded away in the light of a cheerless reality. But some consolations he
must have found even in the conditions of his exile. He had leisure for
meditation, and time enough to spend in that other world which was all
his own. With the miseries of a wanderer's life would come not a few of
its sweets--freedom from routine, and the intellectual stimulus supplied
by change of place. Here and there he would find society such as he
cared for--that of scholars, theologians, and men familiar with every
court and school of Christendom. And, beyond all, he would get access to
books that at home he might never have seen. It was no spare diet that
would serve his mind while he was making such ample calls on it for his
great work. As it proceeds we seem to detect a growing fulness of
knowledge, and it is by reason of the more learned treatment, as well as
the loftier theme of the Third Cantica, that so many readers, when once
well at sea in the _Paradiso_, recognise the force of the warning with
which it begins.[107]