The Two First Centuries of Florentine History: The Republic and Parties at the Time of Dante. Fourth Impression.
Dante Alighieri · en
In spite of this the geographical position of the city, on the road to
Rome, proved increasingly advantageous to its commerce. As early as 825
the _Costitutiones olonenses_ of the Emperor Lothair proposed Florence,
with seven other Italian cities, as the seat of a public school,
thus attesting its importance even at that date. Besides, the German
emperors nearly always halted there on their way to coronation in Rome.
More often, and for longer periods, the Popes made sojourn there,
whenever--a by no means uncommon occurrence--popular disturbances
expelled them from Rome. Victor II. died in Florence in 1057, and had
held a council there two years before; in 1058 Stephen IX. drew his
last breath there; three years later Nicholas II. and his cardinals
stayed in the town pending the election of Alexander II. Full of Roman
traditions and monuments, in continual relation with the Eternal City,
Florence was subject to its influence from the earliest times, and
showed the Guelph and religious tendencies afterwards increasingly
prominent in the course of her history. Towards the close of the tenth
century many new churches arose within and without the city walls. At
the beginning of the eleventh century the construction of an edifice
such as San Miniato al Monte, in addition to the other churches
built about the same period, affords indubitable proof of awakening
prosperity and religious zeal. In fact, Florence now became one of the
chief centres of the movement in favour of monastic reform that, after
its first manifestation at Cluny, spread so widely on all sides. St.
Giovanni Gualberto, of Florentine birth, who died in 1073, inaugurated
the reformed Benedictine order known by the name of Vallombrosa, in
which place he founded his celebrated cloister, and subjected many of
the monasteries near Florence to the same rule.
[Illustration: ATTACK ON THE MONKS OF S. SALVI.
(_Bas-relief by Benedetto da Rovezzano in the National Museum,
Florence._)
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