Three Philosophical Poets: Lucretius, Dante, and Goethe
Dante Alighieri · en
This situation has a curious consequence. Probably for the first and
last time in the history of the world a classification worked out by a
systematic moralist guided the vision of a great poet. Aristotle had
distinguished, named, and classified the various virtues, with their
opposites. But observe: if the other world was made on purpose--as it
was--to express and render palpable those moral distinctions which were
eternal, and to express and render them palpable in great detail, with
all their possible tints and varieties; and if Aristotle had correctly
classified moral qualities, as he had--then it follows that Aristotle
(without knowing it) must have supplied the ground-plan, as it were, of
hell and of heaven. Such was Dante’s thought. With Aristotle’s _Ethics_
open before him, with a supplementary hint, here and there, drawn from
the catechism, and with an ingrained preference (pious and almost
philosophic) for the number three and its multiples, he needed not to
voyage without a chart. The most visionary of subjects, life after
death, could be treated with scientific soberness and deep sincerity.
This vision was to be no wanton dream. It was to be a sober meditation,
a philosophical prophecy, a probable drama,--the most poignant,
terrible, and consoling of all possible truths.
The good--this was the fundamental thought of Aristotle and of all Greek
ethics,--the good is the end at which nature aims. The demands of life
cannot be radically perverse, since they are the judges of every
excellence. No man, as Dante says, could hate his own soul; he could not
at once be, and contradict, the voice of his instincts and emotions. Nor
could a man hate God; for if that man knew himself, he would see that
God was, by definition, his natural good, the ultimate goal of his
actual aspirations.[10] Since it was impossible, according to his
insight, that our faculties should be intrinsically evil, all evil had
to arise from the disorder into which these faculties fall, their too
great weakness or strength in relation to one another. If the animal
part of man was too strong for his reason, he fell into
incontinence,--that is, into lust, gluttony, avarice, wrath, or pride.
Incontinence came from an excessive or ill-timed pursuit of something
good, of a part of what nature aims at; for food, children, property,
and character are natural goods. These sins are accordingly the most
excusable and the least odious. Dante puts those who have sinned through
love in the first circle of hell, nearest to the sunlight, or in the
topmost round of purgatory, nearest to the earthly paradise. Below the
lovers, in each case, are the gluttons,--where a northern poet would
have been obliged to place his drunkards. Beneath these again are the
misers,--worse because less open to the excuse of a merely childish lack
of self-control.