[1] I have confessed that there is something accidental in the origin and progress of the arts in any nation; and yet I cannot forbear thinking, that if the other learned and polite nations of Europe had possessed the same advantages of a popular government, they would probably have carried eloquence to a greater height than it has yet reached in Britain. The French sermons, especially those of Flechier and Bourdaloue, are much superior to the English in this particular; and in Flechier there are many strokes of the most sublime poetry. His funeral sermon on the Marechal de Turenne, is a good instance. None but private causes in that country, are ever debated before their Parliament or Courts of Judicature; but, notwithstanding this disadvantage, there appears a spirit of eloquence in many of their lawyers, which, with proper cultivation and encouragement, might rise to the greatest heights. The pleadings of Patru are very elegant, and give us room to imagine what so fine a genius could have performed in questions concerning public liberty or slavery, peace or war, who exerts himself with such success in debates concerning the price of an old horse, or the gossiping story of a quarrel betwixt an abbess and her nuns. For it is remarkable, that this polite writer, though esteemed by all the men of wit in his time, was never employed in the most considerable causes of their courts of judicature, but lived and died in poverty; from an ancient prejudice industriously propagated by the Dunces in all countries, _That a man of genius is unfit for business._ The disorders produced by the ministry of Cardinal Mazarine, made the Parliament of Paris enter into the discussion of public affairs; and during that short interval, there appeared many symptoms of the revival of ancient eloquence. The Avocat-General, Talon, in an oration, invoked on his knees the spirit of St Louis to look down with compassion on his divided and unhappy people, and to inspire them, from above, with the love of concord and unanimity. The members of the French Academy have attempted to give us models of eloquence in their harangues at their admittance; but having no subject to discourse upon, they have run altogether into a fulsome strain of panegyric and flattery, the most barren of all subjects. Their style, however, is commonly, on these occasions, very elevated and sublime, and might reach the greatest heights, were it employed on a subject more favourable and engaging.