3. Hemispherical bowl. The foot conjectural, decorated in blue on the exterior with a stylized foliate border made up almost entirely from groups of straight lines. There is a trellis border above the missing foot, and the interior is decorated with a double blue line at the same height, and with a single line 5/8 in. below the rim. This last is decorated with red, imitating the red-brown slipped line that frequently occurs on Chinese export porcelain. Second quarter of 18th century. T.N. 17; one sherd from T.N. 16. [Illustration: FIGURE 18.--ENGLISH DELFTWARE, Indian pottery, and stonewares. One-fourth.] 4. Drug jar. Flat and slightly everted rim, straight body section, and spreading base; the bottom slightly domed and the glaze thin. Ornamented in pale blue with groups of horizontal lines and a body zone decorated with linked ovals created by the drawing of two overlapping wavy lines. Probably of London manufacture and of 17th-century date.[154] T.N. 30. 5. Porringer. Slightly everted rim and handle with heart-shaped aperture; body slightly bulbous and incurving to a straight foot; the glaze thick and gray. Probably of London manufacture.[155] Late 17th century to early 18th century. T.N. 23. 6. Shallow ointment pot or jar. Rim flattened, undercut, and slightly everted; base markedly domed, thick pinkish-white glaze. Almost certainly of London manufacture and dating from latter part of 17th century. T.N. 30. 7. Ointment pot. Thin, slightly everted rim over a bulbous body; the foot slightly spreading beneath it and slightly conical beneath; the glaze thick and gray. 18th century. T.N. 23. 8. Saucer. Conjectural reconstruction derived from base and rim sherds. The base thick; the foot solid and only slightly raised, but the rim thin and with a much more even finish. The piece has a thick white glaze with a slight pink cast and is haphazardly splashed with blue. The technique would appear to be the reverse of the London copies of Nevers faïence whereon white dots are splashed over a blue ground.[156] This object appears to be without parallel in published sources, but may tentatively be given the same dating as the London white on blue, i.e., about 1680-1690.[157] T.N. 30. 9. Pedestal base from a small salt. Base conical within; glaze thick and very white; bowl decorated internally with profile portrait of a cavalier. This extremely unusual item was, by a remarkable coincidence, paralleled by an identical fragment found by the writer on the foreshore of the River Thames at Queenhithe in London. The two are shown together in figure 11. About 1660-1680.[158] T.N. 23.