The History of England in Three Volumes, Vol. I., Part F.: From Charles II. to James II. — David Hume — John Shaqi
The History of England in Three Volumes, Vol. I., Part F.: From Charles II. to James II.
David Hume · en
It was the favor and countenance of the parliament which had chiefly
encouraged the rumor of plots; but the nation had gotten so much into
that vein of credulity, and every necessitous villain was so much
incited by the success of Oates and Bedloe, that even during the
prorogation the people were not allowed to remain in tranquillity.
There was one Dangerfield, a fellow who had been burned in the hand for
crimes, transported, whipped, pilloried four times, fined for cheats,
outlawed for felony, convicted of coining, and exposed to all the public
infamy which the laws could inflict on the basest and most shameful
enormities. The credulity of the people, and the humor of the times,
enabled even this man to become a person of consequence. He was the
author of a new incident called the meal-tub plot, from the place where
some papers relating to it were found. The bottom of this affair it
is difficult and not very material to discover. It only appears,
that Dangerfield, under pretence of betraying the conspiracies of the
Presbyterians, had been countenanced by some Catholics of condition, and
had even been admitted to the duke’s presence and the king’s; and that
under pretence of revealing new Popish plots, he had obtained access to
Shaftesbury and some of the popular leaders. Which side he intended to
cheat, is uncertain; or whether he did not rather mean to cheat both:
but he soon found, that the belief of the nation was more open to a
Popish than a Presbyterian plot; and he resolved to strike in with the
prevailing humor. Though no weight could be laid on his testimony, great
clamor was raised; as if the court, by way of retaliation, had intended
to load the Presbyterians with the guilt of a false conspiracy It must
be confessed, that the present period, by the prevalence and suspicion
of such mean and ignoble arts on all sides, throws a great stain on the
British annals.
One of the most innocent artifices practised by party men at this
time, was the additional ceremony, pomp, and expense, with which
a pope-burning was celebrated in London: the spectacle served to
entertain, and amuse, and inflame the populace. The duke of Monmouth
likewise came over without leave, and made a triumphant procession
through many parts of the kingdom, extremely caressed and admired by
the people. All these arts seemed requisite to support the general
prejudices during the long interval of parliament. Great endeavors were
also used to obtain the king’s consent for the meeting of that assembly.
{1680.} Seventeen peers presented a petition to this purpose. Many of
the corporations imitated the example. Notwithstanding several marks of
displeasure, and even a menacing proclamation from the king, petitions
came from all parts, earnestly insisting on a session of parliament. The
danger of Popery, and the terrors of the plot, were never forgotten in
any of these addresses.