The Island of Fantasy: A Romance — David Hume — John Shaqi
The Island of Fantasy: A Romance
David Hume · en
As a rule, the vintage of the insular Greeks begins early in August, but
this year, for some unexplained reason, the grapes had ripened slowly,
hence the Melnosians feared a bad year of the vine, and were much
delighted to find that it was one of the most prolific ever known, a
fact which was further confirmed in their eyes by the prophetic red of
the rainbow.
Papa Athanasius, the priest of the island, arrayed in the gorgeous
sacerdotal vestments of his Church, now came forward, surrounded by a
number of acolytes, bearing censers and sacred ichons, in order to
pronounce a blessing on the first-fruits of the vine year. The ceremony
did not last long, and at its conclusion the Papa retired, while, amid
cries of rejoicing and noisy music, a dozen men with bare feet sprang
into the vat and began to tread the grapes. Their white tunics and naked
feet were soon stained red with the juice of the vine, which shortly
afterwards began to gush freely into the lower vat, amid the songs of
the onlookers. Soon afterwards cups of last year’s wine were passed
round to all present, and, though the Greeks as a rule are a very
temperate people, yet the thin, sour liquor speedily rendered them
slightly intoxicated, and the singing became more vociferous than ever.
“I hope they will give us some national dances,” said Maurice to Helena,
who sat beside him—who looked lovely as the Queen of Love herself.
“Indeed they will!” she answered vivaciously: “you will see the syrtos,
which has a good deal of the Pyrrhic dance in its steps; the moloritis,
in which Zoe, Andros, Crispin, and myself will take part. Then there is
the dancing on the slippery wine-skin, which is very amusing. See, this
is the syrtos!”
A party of young men in their tight-fitting white dancing-costumes now
came forward, saluted Caliphronas as the master of the revels, and,
placing their arms round one another’s necks, began to sway slowly
backward and forward, with a kind of mazourka step, to the inspiriting
music of tabor and pipe. These evolutions increased in rapidity, and
were interspersed with wild acrobatic boundings by single dancers, until
Maurice became quite giddy watching their whirlings.
Afterwards the women, linked together with handkerchiefs, in order to
make the line more flexible, danced gracefully to a slow melody, with
frequent genuflexions of the body and bendings of the head.
“Greek dances are rather monotonous, I am afraid,” said Roylands, who
found this incessant swaying a trifle wearisome. “Why don’t the men and
women dance with one another?”
“They do sometimes, as in the moloritis,” replied Helena, rising from
her seat. “We will dance it now, and I think you will like it better
than the syrtos.”
It was a graceful dance, and the music was more melodious. First, the
four people danced together, then separately, and finally Crispin and
Caliphronas indulged in wild saltatory leapings, while Helena and Zoe
stood still, swaying from side to side, like nautch dancers.