To this explication of the different influence of open and concealed flattery or satire, I shall add the consideration of another phenomenon, which is analogous to it. There are many particulars in the point of honour both of men and women, whose violations, when open and avowed, the world never excuses, but which it is more apt to overlook, when the appearances are saved, and the transgression is secret and concealed. Even those, who know with equal certainty, that the fault is committed, pardon it more easily, when the proofs seem in some measure oblique and equivocal, than when they are direct and undeniable. The same idea is presented in both cases, and, properly speaking, is equally assented to by the judgment; and yet its influence is different, because of the different manner, in which it is presented. Now if we compare these two cases, of the open and concealed violations of the laws of honour, we shall find, that the difference betwixt them consists in this, that in the first ease the sign, from which we infer the blameable action, is single, and suffices alone to be the foundation of our reasoning and judgment; whereas in the latter the signs are numerous, and decide little or nothing when alone and unaccompanyed with many minute circumstances, which are almost imperceptible. But it is certainly true, that any reasoning is always the more convincing, the more single and united it is to the eye, and the less exercise it gives to the imagination to collect all its parts, and run from them to the correlative idea, which forms the conclusion. The labour of the thought disturbs the regular progress of the sentiments, as we shall observe presently.[11] The idea strikes not on us with ouch vivacity; and consequently has no such influence on the passion and imagination. [11] Part IV. Sect. 1. From the same principles we may account for those observations of the CARDINAL DE RETZ, that there are many things, in which the world wishes to be deceived; and that it more easily excuses a person in acting than in talking contrary to the decorum of his profession and character. A fault in words is commonly more open and distinct than one in actions, which admit of many palliating excuses, and decide not so clearly concerning the intention and views of the actor.