I would willingly establish it as a general maxim in the science of human nature, that when any impression becomes present to us, it not only transports the mind to such ideas as are related to it, but likewise communicates to them a share of its force and vivacity. All the operations of the mind depend in a great measure on its disposition, when it performs them; and according as the spirits are more or less elevated, and the attention more or less fixed, the action will always have more or less vigour and vivacity. When therefore any object is presented, which elevates and enlivens the thought, every action, to which the mind applies itself, will be more strong and vivid, as Tong as that disposition continues, Now it is evident the continuance of the disposition depends entirely on the objects, about which the mind is employed; and that any new object naturally gives a new direction to the spirits, and changes the disposition; as on the contrary, when the mind fixes constantly on the same object, or passes easily and insensibly along related objects, the disposition has a much longer duration. Hence it happens, that when the mind is once inlivened by a present impression, it proceeds to form a more lively idea of the related objects, by a natural transition of the disposition from the one to the other. The change of the objects is so easy, that the mind is scarce sensible of it, but applies itself to the conception of the related idea with all the force and vivacity it acquired from the present impression. If in considering the nature of relation, and that facility of transition, which is essential to it, we can satisfy ourselves concerning the reality of this phænomenon, it is well: But I must confess I place my chief confidence in experience to prove so material a principle. We may, therefore, observe, as the first experiment to our present purpose, that upon the appearance of the picture of an absent friend, our idea of him is evidently inlivened by the resemblance, and that every passion, which that idea occasions, whether of joy or sorrow, acquires new force and vigour. In producing this effect there concur both a relation and a present impression. Where the picture bears him no resemblance, or at least was not intended for him, it never so much as conveys our thought to him: And where it is absent, as well as the person; though the mind may pass from the thought of the one to that of the other; it feels its idea to be rather weekend than inlivened by that transition. We take a pleasure in viewing the picture of a friend, when it is set before us; but when it is removed, rather choose to consider him directly, than by reflexion in an image, which is equally distinct and obscure.